BLACK RIVER ORCHARD

The myth of the poisoned apple belies the very real evil growing in a Pennsylvania orchard.

If Wendig’s latest is less paranoia-inducing than his techno-themed thrillers, it’s just as squelchy, made more so by the primeval nature of the antagonist. In Harrow, Pennsylvania, Dan Paxson is trying to raise his daughter, Calla, with good intentions, but he’s also a man with a chip on his shoulder. Little Dan, as he’s known to the members of the Crossed Keys, a nasty little social club, is determined to rescue his dead father’s legacy by resurrecting the family apple orchard and growing a singular, invasive species Calla dubs the Ruby Slipper. While Dan is already counting his future fortunes, we get to know Calla, 17-year-old burgeoning internet influencer, and her jock boyfriend, Marco, as well as plenty of other townsfolk. Among them are ultra-controlling lawyer Meg and her do-gooder wife, Emily, as well as Joanie and husband, Graham, whose S&M–themed Airbnb has rankled the locals. There are plenty of hints that something is amiss with Dan’s apple, but as he begins selling it at local farmers markets, it begins to change the people who eat it, making them stronger, more formidable, and meaner. Into this mix stumbles easily the oddest and most likable outlier, John Compass, a modern-day combination of trained soldier, newly minted Quaker, and Johnny Appleseed, who's looking for a friend who went missing while searching for a long-rumored Dutch varietal. On the other end is Edward Naberius, a mysterious, white-cloaked “restorer of lost dignities,” who is clearly more than he seems as well. Wendig writes doorstoppers, but it’s safe to say there’s something for everyone here, from the creepy Eyes Wide Shut vibe (complete with sacrificial rituals) to the Stephen King–laced dichotomy between the world’s everyday cruelty and the truly grotesque carnage that follows.

Both complex and compelling, a nightmare-inducing parable about our own wickedness.