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Outside, Inside

Helms does an excellent job combining strange and colorful art, the concepts of opposites, and a tale of a friendship...

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Outside, Inside by Cindy Helms

Seussian shapes and creatures dominate this clever concept book about opposites—and friendship—by debut author/illustrator Helms. Flowers grow all over a strangely shaped metal construction; the word "outside," sided with the same type of metal collage, shows on the opposite page. The flowers remain, but the metal is gone on the next two page spread: instead of the exterior, readers see the dark interior of the building, populated by eyes of all different sizes. The word "inside," as black as the lightless inside of the building, is juxtaposed on the next page. Bird, a strange looking, multi-shaped creature with a carrot-shaped beak, can't find any of this friends, and his thoughts wondering where everyone has gone are posed in bold-colored, bright letters. He can't find them outside, but maybe if he knocks on the door… After a few pages of monstrous mutters, hurrying to finish last details (the reader presumes), the lights go on inside the building, and Bird is treated to a surprise from his friends. The creatures inside are birdlike, reptilian, or alien by turn, and are drawn in pinks, purples, greens, and golds, with springs for limbs and protruding eyes. The party makes Bird's heart grow several sizes with happiness. The text, comprised of only thirty-five words, is as much a part of the imagery as the illustrations themselves. Word balloons help reveal what Bird and the other characters are thinking, and the letters are sometimes squeezed to show the hushed volume of the creatures' voices. Most of the uses of inside/outside are truly opposites; there's only one more metaphorical use ("inside…. inside"), where Bird's heart expands and floats beyond his body (connected with a spring-like cord), that may perplex young readers. Otherwise, all the words are simple enough that very beginning readers will be able to sound them out, and may have a victory of reading a book all on their own. The weird creatures are child-friendly, and the colorful pictures are sure to appeal.

Helms does an excellent job combining strange and colorful art, the concepts of opposites, and a tale of a friendship surprise.

Pub Date: Aug. 17, 2015

ISBN: 978-0-9963397-0-4

Page Count: 33

Publisher: Set Free Publishing

Review Posted Online: July 23, 2015

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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