Consistently surprising and absorbing—just not for the usual reasons.
A new science-fiction venture from the award-winning Chinese author of the brilliant alien-contact trilogy concluded with Death’s End (2016), whose readers, hopefully, learned to expect the unexpected.
As a boy, Chen—we’re offered no other name—watches in helpless horror as ball lightning engendered by a powerful electrical storm incinerates his parents. He dedicates his career to studying this baffling but well-attested natural phenomenon. His investigations take him to a remote mountaintop where he encounters Lin Yun, a young and extremely attractive army major obsessed with weaponizing such forces of nature as lightning. Encouraged by Lin’s enthusiasm and single-mindedness after years of futile theoretical modeling and pursuing dead ends, Chen glimpses the beginnings of a breakthrough, while his compulsive need for answers helps him suppress doubts about Lin’s ultimate goals. But neither Lin nor her superiors suffer from any such inhibitions, and they bring in Ding Yi, a brilliant physicist utterly indifferent to any real-world consequences his discoveries and conclusions might have. Fascinating conundrums and intriguing extrapolations abound—Liu demands a basic scientific literacy of his readers—but the story lacks the visceral tension, generated by the existential threat of hostile aliens, that gave the previous trilogy its edgy brilliance. What’s of greater import here is the way Liu’s approach differs from what we might expect. When, for instance, philosophical considerations arise, Liu tackles them head-on, as few English-language writers care to do. We might expect such a complementary pair of protagonists to become romantically involved—but no. When Liu writes of war breaking out, we would certainly ask why and against whom: questions that hold no interest for Liu, who declines to enlighten us. And what other writer would select a first-person narrator who later proceeds to write himself almost completely out of the narrative?
Consistently surprising and absorbing—just not for the usual reasons.Pub Date: Aug. 14, 2018
ISBN: 978-0-7653-9407-1
Page Count: 304
Publisher: Tor
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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