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SHADOWS REEL

Old-school Nazis, newfangled terrorists, Big Sky country—it’s all here.

International intrigue crashes into Twelve Sleep County, Wyoming.

Good news, bad news for Game Warden Joe Pickett. He’s still recovering from the physical damage he suffered in his last outing, Dark Sky (2021), but he’s been moved into a bigger, better sited house since his old one was torched. The discovery of freelance fishing guide Bert Kizer on the grounds of the Crazy Z-Bar Ranch is clearly connected to a hagiographic album of Nazi photos from 1937 that’s captured the interest of Marybeth Pickett, Joe’s librarian wife. Why would someone have tortured and killed Kizer after all these years to learn the location of the album? As Joe and Marybeth await the arrival of their three daughters for what turns out to be “the worst Thanksgiving we’ve ever had,” Joe’s old friend Nate Romanowski heads off to Colorado in the hope of catching up with Axel Soledad, the outlaw falconer who beat Nate’s wife, threatened his baby, and stole his falcons. After a few rounds of preliminary fencing, Nate realizes that Geronimo Jones, the Black Lives Matter activist who tipped him off about Soledad’s location, is a perfect partner for him. But neither of them realizes that Soledad’s activities will lead them into a lot more violence than they’re ready for and, ultimately, to a last-minute reunion with Joe, who’s called on to go up against “the Eric and Donald Trump Jr. of Hungary.” The broader political overtones aren’t an unmixed blessing, and the socko climax ends predictably, but Joe’s 22nd adventure continues to give good value.

Old-school Nazis, newfangled terrorists, Big Sky country—it’s all here.

Pub Date: March 8, 2022

ISBN: 978-0-593-33126-2

Page Count: 368

Publisher: Putnam

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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THE GREY WOLF

One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.

A routine break-in at the home of Sûreté homicide chief Armand Gamache leads slowly but surely to the revelation of a potentially calamitous threat to all Québec.

At first it seems as if nothing at all triggered the burglar alarm at Gamache’s home in Three Pines; it was literally a false alarm. It’s not till he receives a package containing his summer jacket that Gamache realizes someone really did get into his house, choosing to steal exactly this one item and return it with a cryptic note referring to “some malady…water” and “Angelica stems.” Having already refused to meet with Jeanne Caron, chief of staff to Marcus Lauzon, a powerful politician who’s already taken vengeance on Gamache and his family for not expunging his child’s criminal record, Gamache now agrees to meet with Charles Langlois, a marine biologist with ties to Caron who confesses to a leading role in stealing Gamache’s jacket. Their meeting ends inconclusively for Gamache, who’s convinced that Langlois is hiding something weighty, and all too conclusively for Langlois, who’s killed by a hit-and-run driver as he leaves. The news that Langlois had been investigating a water supply near the abbey of Saint-Gilbert-Entre-les-Loups sends Gamache scurrying off to the abbey, where the plot steadily thickens until he’s led to ask how “an old recipe for Chartreuse” can possibly be connected to “a terrorist plot to poison Québec’s drinking water.” That’s a great question, and answering it will take the second half of this story, which spins ever more intricate connections among leading players that become deeply unsettling.

One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.

Pub Date: Oct. 29, 2024

ISBN: 9781250328137

Page Count: 432

Publisher: Minotaur

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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