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THE MIDNIGHT BARGAIN

An expertly concocted mélange of sweet romance and sharp social commentary.

An intelligent and gifted young woman seeks to forge her own path despite considerable social and financial pressures in this feminist fantasy–meets–Regency romance.

Beatrice Clayborn’s father has gone deeply into debt to allow her to present herself properly at Bendleton’s bargaining season, when eligible unmarried gentlemen select their brides. But Beatrice doesn’t want to get married; she wants to make a bargain with a greater spirit and become a mage, supporting her family’s fortunes through her considerable magic powers. Unfortunately, only men are allowed to practice the higher magics; to prevent spirits from invading pregnant women’s wombs and possessing their babies, women are denied magical lore and are locked into collars that suppress their magical potential from their weddings until menopause. When Beatrice locates a grimoire that might offer the knowledge she seeks, it brings her into the orbit of the most eligible pair of siblings on the market, the wealthy and well-connected Ysbeta and Ianthe Lavan. Ysbeta wants Beatrice to teach her how to conjure and bargain with spirits, that she might also remain unmarried and pursue magic. Ianthe’s interest in Beatrice is more romantic in nature, and Beatrice fears those feelings might be mutual. Beatrice is faced with an impossible choice: Marry Ianthe and give up the magic she loves or pursue the dangerous and forbidden path to magery; meanwhile, various parties seek to prevent Beatrice from taking either option. As in Polk’s ongoing series The Kingston Cycle, magic represents a source of political and physical power that only a select group is permitted to wield. It’s a talent that can spring up in anyone but requires opportunities and training to flourish—and whether those are available depends heavily on gender, class, and finances. Obviously, such a concept has many parallels in our own world. The author’s penetrating social critique and deeply felt depiction of one woman’s struggle for self-determination are balanced by her charming take on classic Regency romance. The tropes of the story are such that we have a reasonable expectation that Beatrice will somehow find a way to realize her dreams, however paradoxical they seem in her milieu, but the author does a nice job of ratcheting up the tension and places enough obstacles in her protagonist’s way that the reader might almost believe that failure is possible. The resolution therefore feels well earned and is pleasingly served with a righteous blow at the smugly complacent preservers of the status quo.

An expertly concocted mélange of sweet romance and sharp social commentary.

Pub Date: Oct. 13, 2020

ISBN: 978-1-64566-007-1

Page Count: 384

Publisher: Erewhon

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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SONGS OF THE DEAD

From the Strata Wars series , Vol. 1

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

After being murdered and inexplicably reborn, a heavy metal musician sets out on a journey of self-discovery with nothing short of the future of humankind at stake in the first installment of Sanderson and Orullian’s Strata Wars saga.

Jack Solomon is not having a good day. After moving to London from the mean streets of Los Angeles and starting a metal band called the Hounds of Winter, he’s been kicked out of the group just weeks before they’re scheduled to open for Black Sabbath at Wembley Stadium. While Jack is walking with his good friend Henry Wilkinson—a father figure of sorts who has mentored Jack over the years and owns the music venue the Iron Horse—they are both shot and (seemingly) killed. Then Jack regains consciousness and finds himself in a hellscape with a massive mountain of fire in the distance and countless human statues everywhere. After Henry appears in the vision, telling Jack, “You’ve got more to do,” Jack awakens in front of Henry’s flat, unharmed but covered in blood. With Henry’s body missing, Jack begins to understand his new reality: He’s a thanatist (don’t call him a necromancer) and Henry’s venue hides an entrance to the Strata—“several long periods of London history that have coalesced to form layers of the past.” The Strata are inhabited by gruesome creatures and millions of memories, and Jack discovers that someone wants to take over the Iron Horse, with its staircase to every level of the Strata, and begin a revolution where music (curated by a madman) can change the future of humanity. The many shoutouts to legendary bands notwithstanding, this novel is powered by two elements: the exceptional worldbuilding of the subterranean Strata, whose potential is virtually limitless; and Jack’s deeply personal healing journey, which includes forgiving others—like his mother, who abandoned him—and himself. Jack’s story arc is comparable to his adventures in the Strata: The deeper he descends into the Strata, the deeper he delves into himself.

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

Pub Date: June 16, 2026

ISBN: 9781668068144

Page Count: 464

Publisher: Saga/Simon & Schuster

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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  • New York Times Bestseller

Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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