Harrowing but ultimately hopeful.
In Cameron’s second novel (The Line Painter, 2011), a 5-year-old girl relates her struggle for survival after a bear kills her parents while they’re camping on Bates Island in Canada’s Algonquin Park.
Any contemporary writer depicting extreme events through the eyes of a child must contend with the formidable precedent of Emma Donoghue’s Room (2010), and Cameron bears the comparison fairly well. In contrast to Donoghue’s multilayered portrait of adaptation and resistance, Cameron crafts a more straightforward adventure with a narration that nicely captures an ordinary child’s way of thinking—and of blocking out unwelcome knowledge. In the slam-bang opening, Anna Whyte wakes in the tent she shares with her 2-year-old brother, Stick, to hear their mother yelling. Their father rips open the tent and hustles the children into the animal-proof chest where they keep their food. A big “black dog” sniffs around the closed chest but can’t get in; some time later, Anna emerges to find her father’s severed foot in a shoe and her dying mother on the ground, urging her to “[g]et into the canoe and paddle away.” Anna lures Stick into the canoe with cookies, and they manage to float across to the park mainland. They have no food or water; their pajamas are soaked; at one particularly scary moment, Anna spots the bear at the island’s shore sniffing the air for their scent. Her guileless account shows her trying to be brave and take care of Stick, even though “I am not old enough to be a babysitter.” One darkly funny scene shows Anna acting like a typical older sibling as she keeps all the berries for herself, until finally prompted to share with Stick by the vague understanding that this time, food is a matter of life and death. Anna’s recovery is rather sketchily developed in the post-rescue scenes, but a touching epilogue 20 years after the ordeal brings home just how traumatized she was yet suggests that she can achieve some sort of closure.
Harrowing but ultimately hopeful.Pub Date: Feb. 11, 2014
ISBN: 978-0-316-23012-4
Page Count: 240
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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