An elegant idea becomes a rather inelegant mish-mash, as the author/illustrator combines her tale with her uncle’s photographs. Emma is a sparrow, a rounded figure with polka-dot boots, a red pom-pom on her white beret and little wings that work like hands. She lives in Central Park and loves to ride on her best friend Duckyduck’s back as he swims. But Duckyduck is migrating for the winter, and lonely Emma ends up at retired Uncle Bob’s. He recounts how their family migrated from Paris, and Emma decides to go there, but she needs to find Captain Joe, who lives near the Brooklyn Bridge. The illustrations consist mostly of Claire Frossard’s small, colorful figures placed on Etienne Frossard’s large and striking photographs of New York in winter. The visual narrative includes plenty of amusing side details (especially enjoyable are pictorial thought-bubbles), but Emma's story is overlong and meandering, more a vehicle for the images than their integral complement. Though frequently fanciful and amusing, the parts never quite weave into a coherent whole. (Picture book. 5-8)
Pub Date: Nov. 10, 2010
ISBN: 978-1-59270-099-8
Page Count: 56
Publisher: Enchanted Lion Books
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
BOOK REVIEW
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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