Fuller’s compelling coming-of-age story, narrated from the perspective of Peggy’s return to civilization, is delivered in...
What do you do if you’re 8 and your father tells you the rest of the world has been annihilated and home is now a hut in the middle of nowhere? That's the situation in a British novelist’s intriguing debut.
Wealthy concert pianist Ute Bischoff scandalized the music world when she married James Hillcoat, a teenager eight years her junior who stood in one night as the page-turner of her music score. Their daughter, Peggy, grows up in a comfortable home in London, where her father belongs to an odd group called the North London Retreaters: “We have seen the future and disaster is coming; but we are the saved.” Their conversation is all about survivalism, and one of them stresses the need for a “bug-out location.” When Ute leaves for a concert tour, James takes 8-year-old Peggy off to Europe, following a map to a spot deep in the German mountains where a tumbledown shelter is bounded by high peaks and rushing rivers. This is their new home. James tells Peggy that her mother is dead and the rest of the world has been obliterated, and the child slowly accustoms herself to their life of privation in the forest. Father and daughter barely survive their first winter but learn to subsist on what they can grow, hunt, forage and preserve. As the years pass and the teen years arrive, however, Peggy becomes aware of someone else in her life, a stranger who begins to edge her away from her increasingly unhinged parent.
Fuller’s compelling coming-of-age story, narrated from the perspective of Peggy’s return to civilization, is delivered in translucent prose. Although attuned readers will likely have foreseen the final revelations, this is memorable first work from a talent to watch.Pub Date: March 17, 2015
ISBN: 978-1-941040-01-0
Page Count: 388
Publisher: Tin House
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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