by Claire Holroyde ‧ RELEASE DATE: Jan. 12, 2021
An adept contribution to the realm of apocalypse fiction.
A comet called UD3 threatens to wipe out the human race, and a ragtag team of scientists from all over the world rushes to find a way to knock it off course in Holroyde’s debut.
Dr. Ben Schwartz of NASA’s Jet Propulsion Laboratory is woken in the middle of the night by a call from a famous astrophysicist. Ben is told that the U.N. has a car waiting for him outside and that he must fly to French Guiana. He isn’t told why, only that he must pack a bag and leave, now. His girlfriend, Amy, refuses to be left behind, and when the two of them get off the plane, they learn that a “dark comet” has been discovered coming around the sun and is heading straight toward Earth. Ben joins a group of scientists, including China’s brilliant Dr. Zhen Liu, who are working to cobble together something to throw the comet off its course before it can smack into Earth and cause an extinction event. As news of the comet gets out and people panic, society begins to break down, as seen through chapters focusing on a ship sailing through the Arctic Ocean and a woman struggling to survive in a decaying New York City, among others. As time goes on it becomes clear that even if the scientists manage to find a solution, humanity might destroy itself anyway. Fans of similar apocalypse stories will recognize all the beats Holroyde hits here—unlikely romance, friendships forged in trauma, etc.—but what this book lacks in originality it makes up for in proficient execution. The many character relationships would feel more organic with a bit more breathing room, but the prose is measured and clear, and the plot arcs nicely from the scientific issues to more personal stakes.
An adept contribution to the realm of apocalypse fiction.Pub Date: Jan. 12, 2021
ISBN: 978-1-5387-1761-5
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Pierce Brown ‧ RELEASE DATE: Jan. 6, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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