Jiménez brings bravery to the page, and it’s her strong storytelling and humor that make this an outstanding debut.
A story of family, fury, a missing girl, and what society doesn't see.
Twelve years ago, 13-year-old Ruthy Ramirez disappeared after track practice one day, never to be seen again. Left in the black hole where there is “no such thing now as a map” are the women in Ruthy's family, who never get over her loss. Told from the alternating perspectives of Ruthy’s younger and older sisters, Nina and Jessica; her mother, Dolores; and Ruthy herself, this is a story of the fights women encounter and the ways they survive, set in a Pentecostal Puerto Rican community in Staten Island. More than a decade after Ruthy’s disappearance, Jessica is convinced she's seen her on Catfight, a reality TV series where women literally fight their cast-mates to stay in the town house where they're filming and win the grand prize. Jessica and Nina begin binge-watching the show, analyzing every detail about the woman onscreen, comparing her with their memories of Ruthy and their expectations of whether a near-homeless raging alcoholic is the woman Ruthy could have grown up to become. They try to keep this secret from their diabetic mother, but their plan unravels when Dolores figures out that they're not heading off to a retreat for young Christian women but are instead driving to Boston, where the show is filmed. The three end up road-tripping together, along with a friend, and it’s Dolores, not her daughters, who schemes her way into a nightclub where the Catfight girls will perform. There’s a delightfully subversive and maverick quality to the way first-time novelist Jiménez gives her characters the freedom to tell the truth as they see it, whether it’s Dolores negotiating with God in expletive-laden prayers or Nina explaining the fallout of graduating from college with an expensive biology degree only to end up folding lingerie for a toxic White boss. The book's humor alongside Jiménez's willingness to include everything from pop culture to intergenerational trauma is the reason this book is a page-turner.
Jiménez brings bravery to the page, and it’s her strong storytelling and humor that make this an outstanding debut.Pub Date: March 7, 2023
ISBN: 9781538725962
Page Count: 240
Publisher: Grand Central Publishing
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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