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A DAY WITH MOUSSE

From the Mousse series

Enchanting.

Mousse enjoys himself while dealing with an unexpected, demanding houseguest.

Mousse—a small, long-snouted creature with a green-and-white-striped body and stick-figure limbs—begins each day by reveling in such simplicities as “the strip of sunlight that shines through his window each day.” As the day goes on, readers learn that the nearby sea washes into Mousse’s house daily, allowing him to make a living by collecting marine treasures such as shells (he takes care to return living animals to the water) and shipping them to online buyers. But today, a walrus named Barnacle has washed in with the tide and begins to help himself to Mousse’s food and favorite book. Mousse unceremoniously attempts to oust Barnacle. The illustrations that follow hilariously contradict the text, which implies that Barnacle has left; he has in fact used Mousse’s bathtub and slept in Mousse’s bed. Yet compassionate Mousse eventually nurses Barnacle through an illness and tolerates a visit from Barnacle’s large family. Reminiscent of the late William Steig’s work, this imaginative French import blends elegant turns of phrase with delicate art, rendered in watercolor and pen and ink. Divided into three chapters, the text includes challenging syntax and vocabulary, but emergent readers will eagerly push on, encouraged by the gentle humor and by their feelings of sophistication over the naïve Mousse. The interplay between visuals and words is a sheer delight, while the final punchline will have little ones giggling.

Enchanting. (Picture book/early reader. 5-8)

Pub Date: Oct. 8, 2024

ISBN: 9798893389067

Page Count: 88

Publisher: Transit Children's Editions

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: today

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

Awards & Accolades

Our Verdict

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Google Rating

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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