THE MODERN FAIRIES

Not fantasy fiction or a collection of fairy tales, but a historical novel about the people who told them.

Pollard, a poet, sets her second novel for adults in the Parisian salon of Marie-Catherine d’Aulnoy during the reign of Louis XIV, with Charles Perrault as a frequent point-of-view character. D’Aulnoy’s salon and Perrault’s stories are still famous for their role in literary history. There intellectuals, mostly noblewomen, gathered to share fairy tales, some literary elaborations of folktales and some inventions of their own. Pollard draws on a rich lode of source material: “I must tell you, an almost unbelievable amount of this is true,” she writes in her author’s note. Each chapter in the novel is named after a fairy tale, some (“The Tale of Bluebeard”) more familiar to contemporary readers than others (“The Tale of the Ram”). In most chapters a member of the salon tells the tale in question. These stories are a safe way for the characters to examine and criticize the world of the Sun King’s court without—they hope—falling afoul of the power-greedy monarch and his bloodthirsty spies. Not coincidentally, the lives of the salon members, with their poisonings, forced marriages, dead spouses and parents, cruel rulers, illegitimate princesses, secret affairs, hints of incest, and horrifying punishments, sound like the fairy tales themselves.

Cold, clever, and glittering, this beautiful novel resembles both the court and the stories it depicts.