Essential reading about a moment of surpassing political and moral importance.
With the assistance of filmmaker and Huffington Post contributor Connelly, Jones, who was present at the creation of Martin Luther King Jr.’s “I Have a Dream” speech, revisits the forces that generated the 1963 March on Washington and that animated the speech that now represents an entire era.
The author, a former attorney for King, does not offer a detailed account of how King and his advisors crafted the speech; for that, see Drew Hansen’s The Dream (2003) or Eric J. Sundquist’s King’s Dream (2009). In fact, writes Jones, he did not even see a final copy before he heard it, but he was pleased that King kept his suggestion for the initial image of the promissory note. However, the author provides numerous intriguing insider insights about life on the road with King—notably, the amusing moment when Jones, frustrated with the egos of some of the other speakers elbowing for position in the event’s final, prime slot, asked if any of them really wanted to follow King to the podium; none did. Jones also confirms a couple of stories: that the Justice Department did indeed have a “kill switch” on the sound system, and that gospel singer Mahalia Jackson urged King during the speech to talk about his dream, at which point King turned his prepared remarks face down and continued somewhat extemporaneously. Jones explains how and why he, at the last minute, copyrighted the speech, and he pays homage to Nelson Rockefeller and Sen. Ted Kennedy—though he is less generous to JFK and RFK. He describes severe worries and frustration, given that the daunting logistics of the March, and ends with some reflections on America’s enduring racism, the contentious issue of reparations and the uneven presidency of Barack Obama.
Essential reading about a moment of surpassing political and moral importance.Pub Date: Jan. 4, 2011
ISBN: 978-0-230-10368-9
Page Count: 224
Publisher: Palgrave Macmillan
Review Posted Online: Sept. 13, 2010
Kirkus Reviews Issue: Oct. 1, 2010
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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