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SELECTED CRONICAS

Name: SELECTED CRONICAS
Author: Clarice Lispector
ISBN: 0-8112-1340-4

by Clarice Lispector ‧ RELEASE DATE: Nov. 28, 1996

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A vertiginous dash through the mind of a highly idiosyncratic and inventive writer. Lispector, the Brazilian novelist (The Hour of the Star, 1990, etc.), was from 1967 to 1973 also a columnist for the Jornal do Brasil, the largest newspaper in Rio de Janeiro. This collection of 156 of her columns (crìnicas) makes the work of her American counterparts, from that of Anna Quindlen to Jimmy Breslin, seem predictable, narrowly focused, and pedestrian. If a newspaper column can be compared with a social visit from the writer, who drops by often enough to become a friend, then Lispector can be said to be an enchanting, unnerving, and sometimes giddy visitor. She casts a wide net in these pieces. There are some deeply cryptic gleanings. (``I dreamed that a fish was taking its clothes off and remained naked'' is the entire text of one piece.) There are also several series of full-fledged stories, including ``The Princess,'' told in five parts, and ``The Egg and the Chicken,'' told in three. Other columns resemble conventional feature writing. ``Lightning Interview with Pablo Neruda (II),'' for example, poses questions to the poet and duly provokes answers. ``Does writing make the anguish of living more bearable?'' Lispector asks. She further asks to the poet to ``say something to surprise me.'' Most of the time, the need to surprise herself seems to guide the columns, and the result is a body of work likely to give pause to North Americans, who seem to prefer their journalism straightforward and flat-footed. Lispector's is headily expansive, a reprieve from the usual. Of course, the pressure to write for each Saturday edition does lead to various ups and downs; the downs include facile moments when even Lispector's imagination temporarily folds its tent. But the stumbling is rare. A provocative revision of journalistic possibilities.

Pub Date: Nov. 28, 1996

ISBN: 0-8112-1340-4

Page Count: 224

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE APPLE IN THE DARK
by Clarice Lispector ; translated by Benjamin Moser

- BOOK REVIEW
AN APPRENTICESHIP, OR THE BOOK OF PLEASURES
by Clarice Lispector ; translated by Stefan Tobler

- BOOK REVIEW
THE BESIEGED CITY
by Clarice Lispector ; translated by Johnny Lorenz ; edited by Benjamin Moser

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.