An engrossing, imaginative dystopian thriller.
Boutwell tells the story of a young soldier navigating the chasm between two opposing societies in this sci-fi debut.
In the 22nd century, the United States has been replaced by a number of successor states. The Democratic Unity of America is a military-controlled dictatorship of the young, fueled by drugs and implants, in which people over 40 are forced into retirement (and often worse than that). West of the Unity are the outlands, a low-tech wilderness where the Sisis (senior citizens) still live. Malila Evanova Chiu, a foulmouthed 17-year-old officer in the Defensive Unity Forces for Security, is sent out to take control of a troublesome station deep in the heart of outlander territory. Plans go awry, and Malila quickly finds herself caught up in the machinations of an inconceivably old Sisi, Johnstone, who possesses information about world history that sets Malila’s head spinning. What’s more, she finds that she’s a pawn in the plot of an aging DUFS lieutenant colonel to further his own dark ambitions. Malila must sift the facts from the truth—and control her own rash temper—to help right the injustices of the system into which she was born. The mythology of this world is dense, as are the jargon and references that Boutwell sprinkles throughout his prose; luckily, he provides a glossary and timeline at the end of the novel. It takes some getting used to, but readers will quickly acclimate. Beneath the worldbuilding, Boutwell’s prose is sharp and efficient: “Malila awoke, her ears ringing and too dazed to move....An ax and sheathed knife threaded onto a broad leather belt hung from a small branch near her head. Only when she moved to retrieve them did she comprehend she had been bound, her wrists tied behind her back and her legs tied at the ankles.” The story takes a while to get moving, but once it does, it does not pause. The book is neither as didactic nor as allegorical as the premise might suggest; rather, Boutwell creates an immersive world where provocative ideas propel a darkly satisfying adventure.
An engrossing, imaginative dystopian thriller.Pub Date: Oct. 21, 2015
ISBN: 978-1491775653
Page Count: 394
Publisher: iUniverse
Review Posted Online: Sept. 23, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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