Another winner in this highly entertaining series, capped off with satisfying revelations.
An elderly Bonnie Parker in the 1980s tells of how she and Clyde Barrow protected the Manhattan Project in this final thriller in a trilogy.
What if Bonnie and Clyde’s deaths in a famous 1934 shootout were faked, so that they could serve American interests as undercover agents? That’s the premise of the previous two books in this trilogy, in which the outlaws changed their names to Brenda and Clarence Prentiss and performed special assignments for their handler, Sal. In 1984, 74-year-old Bonnie has made a deal with reporter Royce Jenkins: She’ll give him her full story if he helps her solve three mysteries, including Sal’s true identity. As they investigate—and dodge people following them—Bonnie explains how she and Clyde went undercover in the 1940s as owners of the Ranchland Deluxe bar in Richland, Washington—a city that was also the location of a top-secret plutonium production site for the Manhattan Project. Their mission was to discover who in the community might be “willing, or forced, to share secrets with America’s enemies.” By 1945, they narrowed down the suspects to six Americans, plus a couple of suspicious Germans and Russian circus performers—but they soon found themselves dodging knives, bullets, other spies, and a firebombing. Later, Royce tracks down the surprising, explosive truth about Sal and the organization backing her. Hays and McFall (Bonnie and Clyde: Dam Nation, 2018, etc.) keep up the momentum in this third series outing, which features plenty of action and danger. There are also intermittent steamy interludes between Bonnie and Clyde, who come off as a wisecracking, low-rent version of Nick and Nora Charles from The Thin Man. Tricky puzzles, chases, spycraft, and red herrings keep the plot bubbling along. But underlying all the shenanigans is a serious consideration of the nature of patriotism in an America that’s increasingly becoming dominated by the military-industrial complex. Overall, the book makes a rousing stand in favor of have-nots, working people, and dreamers; at one point, Bonnie unusually stands up for gay rights in 1945 (“Love is love no matter what”).
Another winner in this highly entertaining series, capped off with satisfying revelations.Pub Date: May 23, 2019
ISBN: 978-0-9974113-5-5
Page Count: 332
Publisher: Pumpjack Press
Review Posted Online: March 29, 2019
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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