An amusing and lighthearted introduction to metafiction.
Three bears host an unexpected visitor with surprising results.
“Mama was serving porridge,” recounts the youngest of the three bears about the arrival of a stranger at the door. The small but stout figure, covered head to knees in a bright red hoodie, is “Little Red from the book next door.” Little Red explains that there’s a wolf, “and he wants to eat me.” Though Papa and Mama are dubious about letting her stay (“Not sure that’s how the story goes,” they muse), Little Red consumes a bowl of porridge, recounts her tale, and spends the night. But when the wolf shows up, all four flee to a different neighboring book, where three pigs look alarmed. Poor Wolf. It’s not a choice role, being the Big Bad Wolf, and tears ensue. The empathetic narrator produces a few bowls of just-right porridge (recipe included) to soothe Wolf’s feelings. Rueda’s bears are large, light-brown furred, and rounded with bemused expressions. Little Red has white skin, and the wolf has light-brown fur and a friendly, canine look. Rueda’s punchy, economical narrative and the clear typeface put this within reach of new readers. The gentle twist and metafictive conceit will serve as a conversation starter and may inspire other sendups and blendings of nursery plotlines and characters. (This book was reviewed digitally.)
An amusing and lighthearted introduction to metafiction. (Picture book. 3-7)Pub Date: Nov. 2, 2021
ISBN: 978-1-4521-7031-2
Page Count: 52
Publisher: Chronicle Books
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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