From acclaimed Italian writer Magris (Inferences from a Sabre, 1991, etc.), one of those slender European novels that earnestly explore the meaning of life in exquisitely calibrated prose. Much is expected of young Enrico by his two great friends, Nino and Carlo. All three young men were born in the late 19th century and raised in what was then part of the Austrian Empire and later, after two world wars, successively under Italian and Yugoslavian Communist rule. These historical changes, with their inevitable disruptions and dislocations, form the background for Enrico's life story. The trio meet to discuss philosophy, read, and derive ``enormous pleasure from their shared view of the world.'' For Carlo, a philosopher, Enrico is ``the friend who would fill all space and embody the world I was searching for.'' Nino also shares these high opinions, opinions confirmed by Enrico's decision to avoid military service by sailing to Patagonia. ``You know how to exist entirely in the present Rico, they had said to him as he left. You do not devalue your life through fear of losing it.'' But in Patagonia, Enrico, who had once written to Tolstoy and still reads Greek, is soon aware of his inadequacies. Herding sheep in the desert and living alone in a rough hut do not promote the exalted authentic life he'd expected. Existence becomes a matter of mere survival, and this retreat, first from his friends' expectations, and later from relationships with women, continues on his return home. He teaches school, then moves to an island. Here he endures the German invasion, is arrested and beaten up by the new Communist rulers, and though he tentatively tries to connect with others and find some meaning, he never really lives the authentic life his friends were so sure was his. A poignant portrait of failure and undaunted resilience to continue despite it.
Pub Date: Feb. 17, 1995
ISBN: 0-00-271339-X
Page Count: 108
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1994
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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