He'd be a rom-com hero if not for the woman tied up in his house—a twisted premise that raises unexpected moral questions.
While a widowed man falls for a bartender, the woman he’s held hostage for years plots her escape in this fast-paced thriller.
Aidan Thomas doesn’t seem like a bad person: “People loved and trusted him because he was a normal man.” When his wife dies and he needs to move, his hostage, a woman he calls Rachel, convinces him to move her into his new house under the guise of being his tenant rather than killing her in the shed where he’s been hiding her. There, she has more access to his life—she can look through his possessions, hear who comes into the home, and even talk to his daughter. In alternating chapters, she figures out how to stay alive and how best to try to leave. The tight clip of Rachel’s voice—“Any minute now, the tires of his truck will screech outside. He’ll climb up the stairs, the furious tap-tap-tap of his boots a prelude to his anger”—lends urgency. Meanwhile, Aidan is so popular that his community is raising money for him in a 5K race; bartender Emily has volunteered to run a hot-cocoa station to get to know him better. It’s the contrast between the man Aidan appears to be to the outside world—and even to his family—and the man he is in secret that makes Rachel’s job so difficult. The people who love him will protect him because they can’t see him the way that she does. In other chapters, Aidan’s earlier victims chime in to show what’s at stake for Rachel if he isn’t caught. And when Rachel meets the other women in his life—first his daughter and then Emily—she knows she must escape for their sakes, too, but will they help or hinder her?
He'd be a rom-com hero if not for the woman tied up in his house—a twisted premise that raises unexpected moral questions.Pub Date: June 20, 2023
ISBN: 9780593534649
Page Count: 320
Publisher: Knopf
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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