The lively mischief will carry children past the narrative inconsistencies in this fun-filled romp
Reid turns her Plasticine talents to an interpretation of the classic poem.
Taking her cue from “not even a mouse,” she focuses her visual narrative on a mouse family that inhabits a cozy, snow-covered log. Though the busyness of its inhabitants betrays that many creatures are actually stirring, readers are likely to forgive this artistic license. They will be too busy poring over the detail-filled spreads to carp. A harassed mouse parent has a swaddled babe under one arm and vainly tries to keep another from playing with the Christmas stockings with the other. Far from being “nestled / all snug in their beds,” these mouselings are raising a rumpus, climbing about on their bunk beds and tossing sugarplums at one another. Santa’s approach is spectacular, pairs of Plasticine reindeer increasing in size to accentuate perspective as they pull a tiny mouse Santa aloft while a fox looks up from below. The jovial Santa is appropriately round, though he has just a faint hint of white chin whiskers. Apparently oblivious to the onlooking mouse family, he stuffs the stockings before departing—as the mouse children scamper back into bed to avoid being caught out by mama and papa.
The lively mischief will carry children past the narrative inconsistencies in this fun-filled romp . (Picture book. 3-5)Pub Date: Sept. 1, 2014
ISBN: 978-0-8075-5625-2
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Like marshmallow on top of caramel.
Little Bear loves everything about Christmas, but there’s one thing he loves even more.
The Bear household is busily getting ready for Christmas. Mommy Bear wraps and bakes; Daddy Bear brings home a humongous tree; Little Bear exults in it all. With each new Christmas tradition that’s introduced, from opening Christmas cards to receiving carolers, Little Bear sings a song that celebrates it. “I love ornaments, and garland, and lights on a string, / candy canes, stockings—and all of the things / that make Christmas perfect—oh, yes, I do! / But the thing that I love more than Christmas is—” But before Little Bear can complete his rhyme, each time he is interrupted by a new element of Christmas to celebrate. Since that terminal rhyme is always set up with one that ends with an “oo” sound, readers will not be surprised in the least when Mommy and Daddy interrupt him one last time with an emphatic “YOU!” It’s all so uber-idealized readers may find themselves gagging on the syrup—it even seems to get at Hattie: Daddy Bear’s smug “What an exceedingly talented family we are” has a whiff of irony to it. Warnes’ cartoon bears inhabit a cozy, middle-class home; while the carolers are clothed, the Bear family is not, but readers may notice a white marking on Mommy Bear’s chest where a string of pearls might rest.
Like marshmallow on top of caramel. (Picture book. 3-5)Pub Date: Sept. 15, 2020
ISBN: 978-1-68010-208-6
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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