by Clement C. Moore ; illustrated by David A. Cutting ‧ RELEASE DATE: Sept. 3, 2019
An overcrowded, uneven package.
The complete text of “A Visit From St. Nicholas,” delivered on board pages.
The poem is as jaunty as ever, but it’s not natural fare for board-book readers due to its length. On average, three stanzas appear per double-page spread; they are set mostly in white type that floats over the dark, nighttime scenes. Cutting’s modeled, cartoony art is an uneven mix. Some images, such as St. Nick’s face and beard, are quite detailed—indeed, his wrinkles and smile are often eerily unchanging from page to page, suggesting a cut-and-paste job—but both the first-person narrator of the poem and the reindeer appear blurry. Many of the scenes feel too crowded for the format, especially the double-page spread showing and naming the eight reindeer, who are sandwiched together in a foreshortened string, making them difficult to identify and count. At times the art defies logic—readers will wonder why this family would leave candles burning on their Christmas tree after they had gone to bed. At other times, it does not completely reflect the text; Santa looks a little too clean after he comes down the chimney despite the text’s explicit “ashes and soot.” Human characters all present white.
An overcrowded, uneven package. (Board book. 3-5)Pub Date: Sept. 3, 2019
ISBN: 978-1-4867-1774-3
Page Count: 20
Publisher: Flowerpot Press
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Clement C. Moore ; illustrated by Mary Engelbreit ; adapted by Mary Engelbreit
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by William Boniface ; illustrated by Julien Chung ‧ RELEASE DATE: Oct. 1, 2024
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Julien Chung ; illustrated by Julien Chung
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 7, 2023
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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