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THE DOOMSPELL

A monumental battle of good versus evil pits children against an ancient witch outcast from earth. Rachel and her brother Eric are literally pulled amid wind and darkness into this world by the monstrous claws of a black creature. The evil witch, Dragwena, recognizes Rachel’s unusual power, begins her tutelage, and attempts to make Rachel her accomplice in revenge for her expulsion from earth centuries ago. All the inhabitants on the planet are in the thrall of Dragwena, yet some have gathered together to be ready for the child-hope prophesied. The evil is the stuff of nightmares; red-eyed wolves, worms that cling, crows with baby heads, and especially Dragwena, who has a snake for a necklace, tattooed green eyes that can meet at the back of her head, and four jaws of teeth that produce spiders instead of spit. McNish creates a surprisingly coherent fantasy world that still has multiple magical transformations on practically every page. Not for the fainthearted: heads are chopped off, spiders are eaten, blood turns yellow, ears are torn, and there is no attempt to soften or keep the battle offstage. The magic here is vivid and the underlying themes sufficiently subtle, yet curiously, it is hard to be truly engaged. The world of Ithrea is splashy and busy like a movie full of special effects that forgets the humanity of its characters. The nonstop action is a big asset for this, but it allows no time to become attached to the characters or empathize with the downtrodden. An opportunity for a sequel is provided at the end—an attractive option for those who care more for pyrotechnics than characters. (Fiction. 10-14)

Pub Date: June 1, 2001

ISBN: 0-8037-2710-0

Page Count: 224

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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