This series opener boasts an exemplary protagonist and leaves plenty of story avenues to explore.
A girl of abnormally high intelligence grows up in a future world plagued by a virus whose primary symptom is cognitive impairment in this debut sci-fi novel.
Electra “Kitt” Kittner is born into tragedy at the tail end of the 21st century. A lightning bolt crashes through a kitchen, killing her pregnant mom, Indira Ramanujan, and her paternal grandmother. Electra miraculously survives, and her dad, Jason, and her grandfather Justin “Doc” Kittner quickly learn that she’s exceptional—she starts speaking at a very early age. Indira had been part of the Worldstar Team, along with Jason and his friends Su-Lin Song Chou and Adom Ola, all with Ph.D.s in biotechnology. Working for the National Institute of Health, the Worldstars have been developing a vaccine for the Techno-Plague, which renders victims with “fuzzy thinking.” Effective vaccines, however, are countered by mutations of the virus. Electra has a natural immunity to the T-Plague so Jason, fearing what the government might do to her, convinces her to keep her abilities a secret. She spends her childhood subduing her superior brain, strength, and agility. But she’ll soon put all of those to good use in generating a vaccine; taking out a terrorist group, Isilabad, intent on weaponizing T-Plague or attacking Electra’s loved ones; and exposing potential moles at NIH. Ratza’s first installment of a series is incisive and profound. Ever-learning Electra, for example, mulls over various types of religious beliefs and philosophies. She even has her own philosophy, Neurosci-Extended Deconstructed Kantianism. Customs of the future, too, seem plausible, like co-friendship, conceived to incorporate couplings of any gender. Though the novel starts with alternating time periods (initial signs of the T-Plague, 2092; Electra’s birth year, 2097; and 2115), it isn’t long before the narrative is chronological. This leads to some repetition (projects involving vaccines that readers know are still ineffective by 2115) and lulls, with Electra suppressed. But action gradually increases, as the formidable teen—and later twentysomething—takes down terrorists or just depraved men in general.
This series opener boasts an exemplary protagonist and leaves plenty of story avenues to explore.Pub Date: N/A
ISBN: N/A
Page Count: 371
Publisher: CreateSpace
Review Posted Online: Jan. 22, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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