The fun begins with the prologue and doesn’t stop till the end. Too bad the heroes can never meet.
Cussler and Du Brul circle back to Cussler’s Raise the Titanic (1976) in the latest derring-do adventure featuring Isaac Bell (The Cutthroat, 2017).
Dirk Pitt of the National Underwater and Marine Agency bookends the tale with the prologue and epilogue, but the story belongs to Bell. In the present day, Pitt discovers the diary of the Van Dorn Detective Agency’s top investigator, “perhaps the greatest detective of his—or any—generation.” Pitt reads that in 1911, Bell was hired to find out whether nine men have faked their deaths in the Little Angel mine disaster in Colorado. Then he’s hired to help the miner Joshua Hayes Brewster smuggle a thousand pounds of the ore of “a rare element called byzanium” to the United States from Novaya Zemlya, the “hellhole” island in the Russian arctic where the miners really are. But not so fast—people are already trying to kill Bell before he leaves Colorado. Once safely across the pond, he hires an Icelandic whaling skipper who knows how to navigate the deadly ice floes to bring him to a desolate Russian mine and return everyone and the ore to Scotland and ultimately to America. On the island, Bell finds eight desperately ill men who appear “not unlike the dead” because the mineral is radioactive. But it’s worth more than $1 million per ounce and has unknown and possibly great potential. Meanwhile, that round trip is no day in a dinghy. Bell blows up icebergs to avoid being icebound, wards off a 10-foot-tall polar bear, parries attacks from a French vessel, and deals with fire, betrayal, and plenty of murder. He deals with one disaster after another with smarts, bravery, loyalty, honesty, and no small amount of luck. When it’s all over, he wants to return to his dear wife, Marion, in America, but business before pleasure. And yes, all of this connects to the Titanic in the title.
The fun begins with the prologue and doesn’t stop till the end. Too bad the heroes can never meet.Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-1726-3
Page Count: 400
Publisher: Putnam
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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