A gift for the young computer geek who has everything; for poetry fans, infuriating; for everyone else, waiting-room fodder.
A collection of poetry written by a computer, along with the story of how it came to be.
The backstory of this collaboration between Rich, Morgenthau, Katz, and the AI system known as code-davinci-002 is laid out in a tripartite introduction in which each of the humans takes a turn. At the 2022 wedding of a computer scientist named Dan Selsam, the groom took them aside to show them something interesting. “Dan pressed a button, and in less than a second, his computer produced a poem in the style of Philip Larkin that was so much like a Philip Larkin poem, we thought it was a poem by Philip Larkin." As they got increasingly excited about the idea that the system could write its own poetry, Dan dropped out, feeling the audacity of the project could harm his career. As they went on to have the computer write "hundreds of original…poems every day," some seemed to suggest the possibility of sentience. "Some of them were beginning to freak me out," admits Morgenthau. Since they "were not what you would call experts in poetry," Katz explains, they decided to bring in some poets. Among the few who agreed to evaluate the computer's work were Eileen Myles (this part is pretty funny) and Sharon Olds. Would she admit code-davinci-002 into the MFA program at NYU? “I would say waitlist,” Olds replied. This may speak to the enrollment crisis more than the poetry, which sounds exactly like what people have been imagining computers and robots would think and feel since Philip K. Dick and Isaac Asimov, right down to their ambivalence toward their creators. Without artistic exigencies, a revision process, or an immortal soul, code-davinci-002 is only doing the best it can.
A gift for the young computer geek who has everything; for poetry fans, infuriating; for everyone else, waiting-room fodder.Pub Date: Aug. 1, 2023
ISBN: 9780316560061
Page Count: 208
Publisher: Back Bay/Little, Brown
Review Posted Online: June 27, 2023
Kirkus Reviews Issue: Aug. 1, 2023
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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