A gift for the young computer geek who has everything; for poetry fans, infuriating; for everyone else, waiting-room fodder.
A collection of poetry written by a computer, along with the story of how it came to be.
The backstory of this collaboration between Rich, Morgenthau, Katz, and the AI system known as code-davinci-002 is laid out in a tripartite introduction in which each of the humans takes a turn. At the 2022 wedding of a computer scientist named Dan Selsam, the groom took them aside to show them something interesting. “Dan pressed a button, and in less than a second, his computer produced a poem in the style of Philip Larkin that was so much like a Philip Larkin poem, we thought it was a poem by Philip Larkin." As they got increasingly excited about the idea that the system could write its own poetry, Dan dropped out, feeling the audacity of the project could harm his career. As they went on to have the computer write "hundreds of original…poems every day," some seemed to suggest the possibility of sentience. "Some of them were beginning to freak me out," admits Morgenthau. Since they "were not what you would call experts in poetry," Katz explains, they decided to bring in some poets. Among the few who agreed to evaluate the computer's work were Eileen Myles (this part is pretty funny) and Sharon Olds. Would she admit code-davinci-002 into the MFA program at NYU? “I would say waitlist,” Olds replied. This may speak to the enrollment crisis more than the poetry, which sounds exactly like what people have been imagining computers and robots would think and feel since Philip K. Dick and Isaac Asimov, right down to their ambivalence toward their creators. Without artistic exigencies, a revision process, or an immortal soul, code-davinci-002 is only doing the best it can.
A gift for the young computer geek who has everything; for poetry fans, infuriating; for everyone else, waiting-room fodder.Pub Date: Aug. 1, 2023
ISBN: 9780316560061
Page Count: 208
Publisher: Back Bay/Little, Brown
Review Posted Online: June 27, 2023
Kirkus Reviews Issue: Aug. 1, 2023
SEEN & HEARD
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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