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GRACE

PRESIDENT OBAMA AND TEN DAYS IN THE BATTLE FOR AMERICA

A moving portrait of a presidency and its top speechwriter.

A pertinent chronicle of the making of a president’s messages.

Keenan, who served as Barack Obama’s chief speechwriter, makes an absorbing book debut with an insider’s view of the pressured, often “fucking terrifying” workings within the White House, where he and his staff routinely put in 12-hour days, holed up in the basement “Speechcave,” crafting the president’s public statements. While focusing on 10 days in June 2015, when he worked on several high-stakes speeches, Keenan recounts his entire career, beginning in 2002, when he became an intern for Sen. Ted Kennedy, through to his promotion to Obama’s chief speechwriter in 2013. The author’s first chance at speechwriting came with Kennedy, whom Keenan praises as a public servant “of the old breed who saw politics as a noble calling, an effort that kept differences of philosophy from becoming barriers to cooperation.” When Obama entered the 2008 presidential race, Keenan’s speeches for Kennedy earned him a place in the campaign—and on Obama’s staff. In 2011, assigned to write Obama’s eulogy for those killed in the shooting that wounded Gabby Giffords, Keenan admits, “I was terrified. It would be my first prime-time, nationally televised speech” and one that “needed to stand as a surprising, hopeful, and even joyous celebration of the way the people who died had lived their lives.” The speeches that occupied him in June 2015 were equally significant: responses to the Supreme Court decision on the Affordable Care Act, same-sex marriage, and the shooting at Charleston’s Mother Emanuel Church that killed nine people, including the pastor, Clementa Pinckney. Keenan portrays Obama as a perfectionist with clear aims for tone and content. Multiple drafts, edits, and rewrites resulted in the soaring rhetoric for which the former president was noted. In his eulogy for Pinckney, “Grace was what Obama wanted to talk about…the quiet grace that sets a louder example than any shout of hatred.”

A moving portrait of a presidency and its top speechwriter.

Pub Date: Oct. 4, 2022

ISBN: 978-0-358-65189-5

Page Count: 320

Publisher: Mariner Books

Review Posted Online: July 25, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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