by Colby Rodowsky & illustrated by Beth Peck ‧ RELEASE DATE: April 8, 2002
With some help from a perceptive grandpa, the unathletic middle child in a sports-centered family finds his bliss. Jason’s parents are coaches, his big brother plays baseball, his younger sister’s on a soccer team—even the dog plays ball. So is Jason bored when he has to tag along to endless games and practices? Not at all, for there are clouds to watch, a fort to build with his best friend, and always, always, rhythms in his head to beat out with whatever comes to hand. Unable to think beyond the playing fields, Jason’s parents are bemused by his lack of interest in sports, but Grandpa, seeing what’s up, brings him a snare drum. Jason’s in heaven, until he tries to capture the many beats he hears, and produces only noise. Not being born yesterday, however, Grandpa has also signed Jason up for lessons, and come that fall, the school’s band has a proud new drummer. In sketchy black-and-white art, Peck gives her lanky figures benevolent expressions, reflecting Jason’s patient response to his parents’ concern, and their willingness to not force the issue. Rodowksy (Clay, 2001, etc.) gives a young musician-in-the-making a realistic range of other interests while posing and resolving a common family issue without resorting to lectures or heated confrontations. A well-crafted, low-stress tale for any young reader who marches to the beat of . . . (Fiction. 8-10)
Pub Date: April 8, 2002
ISBN: 0-374-33671-7
Page Count: 80
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Nathaniel Lachenmeyer ; illustrated by Carlyn Beccia
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adapted by Eric A. Kimmel & illustrated by Pep Montserrat ‧ RELEASE DATE: Feb. 5, 2008
In these 12 retellings, the Immortals come across as unusually benign. Dionysius at first suggests to King Midas that he give his excess wealth to the poor, for instance; the troubles that Pandora releases are originally imprisoned in the box by Prometheus’s brother Epimetheus out of compassion for humankind; and it’s Persephone herself who begs for a compromise that will allow her to stay with her beloved Hades for six months out of every year. Kimmel relates each tale in easy, natural-sounding language. And even though his Andromeda looks more Celtic than Ethiopian (as the oldest versions of the story have it), Montserrat’s figures combine appropriate monumentality with an appealing expressiveness. The stories are all familiar and available in more comprehensive collections, but the colorful illustrations and spacious page design make this a good choice for shared reading. (foreword) (Nonfiction. 8-10)
Pub Date: Feb. 5, 2008
ISBN: 978-1-4169-1534-8
Page Count: 112
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
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