A reflective, nostalgic, backward glance at a bygone era some recall fondly and others regret.
A cultural critic revives the kooky, tech-obsessed spirit of the Y2K era.
Journalist Shade scrutinizes and celebrates the new millennium with heart and a spicy sense of nostalgic humor. Drawing on inspired research interwoven with her own youthful coming-of-age memories of being obsessed with that digital, optimistic, futuristic aesthetic, the author recreates the spirited era when early personal technology was innocent fun—until it wasn’t. She laments that while those childhood days were personally carefree, things have become immeasurably worse in terms of climate change, inequality, and political instability. Shade’s new millennium time capsule, from one economic bubble in 1997 to another in 2008, includes the rise of websites, home personal computers, shimmery metallic-inspired MTV video pop and rap stars, and numerous milestones that all became tarnished by the atrocity of the 9/11 attacks, which collapsed the Y2K party with a sobering pause. The author employs the expertise of political scientists to remark on the rise of population diversity and queer visibility throughout the aughts and effectively integrates these social developments with her own maturing perception of the fast-emerging world around her as an adolescent. Countering the social justice movements was the “McBling” aesthetic, popularized by celebs like Paris Hilton and Britney Spears, which became a “metonym for vacuity, excess, entitlement, and celebrity culture itself.” South Park, Starbucks’ “latte liberal” discourse, and many other influences would mark the decade with humor, hijinks, consumption, self-absorbed technology, and finally a sobering recession. Shade particularly excels with an in-depth discussion on how the techno-optimistic ascension of the internet revolutionized politics, social intercourse, and “our own individual self-perception.” With the advent of social media sites, search engines, subscription content, and “anonymous and frictionless” adult website content, she notes, modern life as we knew it would never be the same. If readers can overlook the book’s dizzying nonlinear timeline, Shade’s exploration of those indelible years creates a fun, fulfilling, and rewarding time capsule.
A reflective, nostalgic, backward glance at a bygone era some recall fondly and others regret.Pub Date: yesterday
ISBN: 9780063333949
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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