A reflective, nostalgic, backward glance at a bygone era some recall fondly and others regret.
A cultural critic revives the kooky, tech-obsessed spirit of the Y2K era.
Journalist Shade scrutinizes and celebrates the new millennium with heart and a spicy sense of nostalgic humor. Drawing on inspired research interwoven with her own youthful coming-of-age memories of being obsessed with that digital, optimistic, futuristic aesthetic, the author recreates the spirited era when early personal technology was innocent fun—until it wasn’t. She laments that while those childhood days were personally carefree, things have become immeasurably worse in terms of climate change, inequality, and political instability. Shade’s new millennium time capsule, from one economic bubble in 1997 to another in 2008, includes the rise of websites, home personal computers, shimmery metallic-inspired MTV video pop and rap stars, and numerous milestones that all became tarnished by the atrocity of the 9/11 attacks, which collapsed the Y2K party with a sobering pause. The author employs the expertise of political scientists to remark on the rise of population diversity and queer visibility throughout the aughts and effectively integrates these social developments with her own maturing perception of the fast-emerging world around her as an adolescent. Countering the social justice movements was the “McBling” aesthetic, popularized by celebs like Paris Hilton and Britney Spears, which became a “metonym for vacuity, excess, entitlement, and celebrity culture itself.” South Park, Starbucks’ “latte liberal” discourse, and many other influences would mark the decade with humor, hijinks, consumption, self-absorbed technology, and finally a sobering recession. Shade particularly excels with an in-depth discussion on how the techno-optimistic ascension of the internet revolutionized politics, social intercourse, and “our own individual self-perception.” With the advent of social media sites, search engines, subscription content, and “anonymous and frictionless” adult website content, she notes, modern life as we knew it would never be the same. If readers can overlook the book’s dizzying nonlinear timeline, Shade’s exploration of those indelible years creates a fun, fulfilling, and rewarding time capsule.
A reflective, nostalgic, backward glance at a bygone era some recall fondly and others regret.Pub Date: Jan. 7, 2025
ISBN: 9780063333949
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
