A satisfying outer-space yarn of redemption under fire.
A young woman from a prominent 23rd-century Earth family avoids prison by enlisting in a term of off-planet service in Alexander’s SF novel.
Two centuries in the future, humankind has discovered reliable, faster-than-light space travel. No alien civilizations have been discovered yet, but there’s still plenty of danger, intrigue, and open warfare, due to humanity’s baser instincts. An underfunded, upstart military police force called “Peacemakers,” or “peacers,” tries to impose order and enact justice. On Earth, 20-year-oldSaoirse Kenneally, hailing from a clan that became wealthy by selling space-friendly computer technology, is a self-loathing alcohol abuser and troublemaker, though she draws the line at taking “zombie,” or “zombipterisin”—an addictive, extraterrestrial psychotropic drug. For her latest violation,which involves charges of attempted robbery and assault, Saoirse is disowned by her relatives but gets around serving jail time by accepting two years of off-world service. At a base orbiting Saturn’s moon Titan, she finds a degree of discipline and even sobriety via basic training and mentoring by Tomasz Szczechowicz, a battle-hardened, veteran peacer who’s closed-mouthed about his past and takes a strong personal interest in Saoirse. When she notes anomalies in the station’s computer records, she becomes part of the investigation; eventually she’s forced to flee even deeper into settled space, where she encounters a simmering conflict involving peacers on a colonized world. This novel’s resourceful, underdog protagonist, who’s inwardly tormented but always ready to fight, will remind readers a bit of The Girl with the Dragon Tattoo’s Lisbeth Salander—although Saoirse has a tattoo of a snake, not a dragon. It’s a somewhat formulaic story of a badly flawed protagonist gaining wisdom and maturity while wearing a uniform, but Alexander makes it earn its stripes. The future setting lacks cyborgs, godlike AIs, teleportation, or easy plot devices; rather, there are more relatable elements, including bullets, light planes, and microphones; the clever explanation is that the principle planetary setting has recreated an old Eastern European society, out of a sense of ethnic and cultural pride, and thus lacks modern gadgets. The finale features well-described, edge-of-your-seat combat and intelligent strategy.
A satisfying outer-space yarn of redemption under fire.Pub Date: Jan. 27, 2021
ISBN: 978-0-9993257-8-0
Page Count: 388
Publisher: Alton Kremer
Review Posted Online: March 30, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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