A familiar post-apocalypse premise freshened by Alexander’s reluctant, ethical hero.
Former soldier Leif Grettison returns from a deep-space mission to find Earth in a very different state than he left it in Alexander’s SF novel.
The author continues the chronicles of Leif Grettison, an American combat veteran who repeatedly finds himself at critical turning points in humanity’s future. In the exceptionally bleak opening of this installment in the Leif the Lucky series, Leif, now in a relationship with the fearsome and beautiful Yang Yong, a former enemy Chinese fighter pilot who once tried to kill him in battle, returns to our solar system after a 153-year absence, waking from interstellar hibernation with a small crew. But radio-wave chatter is ominously silent upon their approach to Earth. The worst-case scenario has come true: While Leif was away, total war—nuclear and cyber—erupted between the superpowers. Their planetside expedition party is whittled down through misadventure until only Leif is left, marooned in the American Midwest, now a snowy, hardscrabble collection of isolated farms and towns at a mid-19th-century level of development, where survivors dread and reject high technology. Leif’s fighting skills, marksmanship, and moral rectitude earn him an appointment as the area’s “starman,” effectively a frontier sheriff. He finds himself torn between the rough-hewn community that needs him and his impossible hopes of finding Yang Yong in the wastelands, dreading the seemingly inevitable outbreak of another devastating war. Much doomsday prepper/apocalyptic SF has gone down this path before, but followers of Alexander’s well-established characters and fans of his hard-hitting prose (“I wanted to line up all the sanctimonious, patriotic, and blind leaders who had foisted this evil on humanity and break each one of their necks. I wanted to give them weapons and see them try to stop me from killing them,” Leif laments in his characteristically bitter first-person narration) make this moody journey a stirring experience, and the final act, with its nods to the Civil War, should especially please readers of historical combat fiction.
A familiar post-apocalypse premise freshened by Alexander’s reluctant, ethical hero.Pub Date: Feb. 11, 2023
ISBN: 9781736198469
Page Count: 354
Publisher: Alton Kremer
Review Posted Online: April 11, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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