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RISK

If this fast-paced, surprisingly reflective yarn doesn’t measure up to Harrison’s more ambitious thrillers (The Finder,...

Harrison’s fleet seventh novel, originally serialized in the New York Times Magazine, follows an insurance attorney down a trail he wishes he’d never taken.

Ten weeks after her son Roger is killed, Diana Corbett, herself seriously ill, tells George Young that she needs to know more about his last hours. It isn’t his death she wants George to investigate—surveillance video shows that Roger emerged from a bar at 1:30 a.m. and got hit by a garbage truck as he paused after stepping off the curb to examine a piece of paper from his pocket—but the question of what he was doing for the four hours he sat in the bar. George, who’s by no means a professional detective, can’t imagine why imperious Diana has chosen him for this job. But he’s done a fair amount of work investigating fraudulent claims, and he’s always been grateful to Diana’s late husband, his firm’s founder, for plucking him from obscurity. So he begins to ask questions and in short order finds some answers, though none to Diana’s liking. She refuses to acknowledge that Eliska Sedlacek, the willowy Czech hand model with whom Roger spent most of his last evening and many nights before, was his girlfriend. Instead she’s more interested in the call Roger made from his cell phone minutes before he died, a call that remains as much a mystery to George as the question of what was written on the vanished piece of paper that so interested Roger. Meanwhile, Eliska has developed a strong interest in a box of Christmas tree ornaments Roger’s ex-wife cleaned out of his apartment after his death. George spends a great deal of time tracking down the ornaments and figuring out why Eliska cares so much about them before he confronts Roger’s darkest secret.

If this fast-paced, surprisingly reflective yarn doesn’t measure up to Harrison’s more ambitious thrillers (The Finder, 2007, etc.), it’s well worth its price and length.

Pub Date: Oct. 1, 2009

ISBN: 978-0-312-42893-8

Page Count: 192

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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THE TESTAMENTS

Suspenseful, full of incident, and not obviously necessary.

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Atwood goes back to Gilead.

The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.

Suspenseful, full of incident, and not obviously necessary.

Pub Date: Sept. 10, 2019

ISBN: 978-0-385-54378-1

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: Sept. 3, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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