A powerful and hauntingly elegiac hybrid of travelogue and memoir.
Novelist and acclaimed travel writer Thubron (Shadow of the Silk Road, 2007, etc.) chronicles his trek to Mt. Kailas, “the most sacred of the world’s mountains.”
The book opens with the author traveling across northern Nepal toward Kailas, a 22,000-foot mountain in Western Tibet. Considered holy to the adherents of four religions and one-fifth of humankind, Kailas beckons to pilgrims and travelers alike. Thubron’s reasons for undertaking the arduous trek across magnificent but desolate lands at the “roof of the world” were personal rather than faith-based. His travel party—comprised of “a guide, a cook, a horse man, myself”—reflected the private nature of his journey, which actually began the day he lost his mother. The author sought to mark the passing of the last member of his birth family by going “somewhere meaningful on the earth’s surface.” The closer Thubron drew to Kailas, however, the more he found himself inexorably drawn into the mystical heart of Tibet’s “death-haunted culture.” Western objectivity fell away, transforming an impartial observer of monks, pilgrims, temples, monasteries, religious relics and end-of-life rituals into a very human seeker struggling to come to terms with the transience of human existence and the fact of his own aloneness, both as a man and a writer. Travel offered no freedom from the pain of surviving (or dying); it only brought “an illusion” of change that temporarily distracted rather than cured. Yet Thubron still found a kind of grace in the unexpected cross-cultural connection he experienced with the Tibetan poet-yogi, Milarepa. However alien the terrain, a shared humanity with Tibetans rendered the author’s experience of loss universal rather than unique. Emotional subtlety and vivid evocations of the people and places are only part of what makes the book so enjoyable. The present-tense narration allows readers make discoveries alongside Thubron, which adds immeasurably to the intimacy and immediacy of the reading experience.
A powerful and hauntingly elegiac hybrid of travelogue and memoir.Pub Date: March 1, 2011
ISBN: 978-0-06-176826-2
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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