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THE BOSTON CASTRATO

Sweeping and ambitious.

Weaving together a dizzying number of intersecting plots, Sargent (Museum of Human Beings, 2009) captures the bustling excitement—and seedy grit—of early 1920s Boston.

As a child in Naples, angel-voiced orphan Rafaele Pèsca is taken under the wing of a renegade priest and castrated to protect his “one and only grace”—never mind that the practice is newly banned by the church. When higher-ups catch wind of what’s happened, Raffi is forbidden ever to sing again, at all, for any reason—his voice, having been “disfigured by the devil,” is now an abomination against God. And with that, the boy is put on a boat headed for an orphanage in New York City to “start a new life” not defined by “what is simply a medical condition.” But as adolescence approaches, his differences make him a target among the boys, and as his peers prepare to head to the front, Raffi hops on a boat back to Italy, where he excels on staff at the Hotel Forum, having discovered “a transforming eroticism in making strangers’ lives more fulfilled.” His return, though, is short-lived, and, rejected in Rome, Raffi once again heads toward America, this time to seek his fortune in Boston—ideally, at the world-famous Parker House, epicenter of the city’s elite. Arriving in the city, Raffi hustles his way into a job waiting tables and finds himself inducted into a society swirling with energy. Under the wing of Victor, his colleague and confidant, Raffi is introduced to the world of poet Amy Lowell and her partner, the actress Ada Russell, and their associates (many, though not all, of the characters here will ring a bell). He encounters love and tragedy, mobsters and mediums. While Raffi is the novel’s hero, the book is a whirlwind of perspectives and voices—some more successful than others—from art collector Belle Gardner to a colony of bacterium. The sheer number of characters can make the novel somewhat difficult to track, but the reward is a richly atmospheric melodrama that resonates.

Sweeping and ambitious.

Pub Date: Oct. 1, 2016

ISBN: 9781909954205

Page Count: 292

Publisher: Barbican Press

Review Posted Online: July 30, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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