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The Agathon

A compelling sci-fi series that starts with a big bang.

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The unexpected, unexplained destruction of Earth sends an experimental faster-than-light starship careening into the cosmos on a desperate mission to save what’s left of humanity.

As in The Hitchhiker’s Guide to the Galaxy, this kickoff to an interplanetary sci-fi series opens with the callous obliteration of Earth. But this debut novel isn’t a witty satire. The spacegoing humanity of 2339 has spent 100 years studying a mysterious mirror-surfaced “Monolith” (possibly a tribute here to Arthur C. Clarke) found on the Mars moon Phobos, transmitting terabytes of indecipherable information into deep space. In a cave on the red planet itself is the only form of nonhuman alien life ever discovered, “the Black,” an ancient, enigmatic, dangerous pool of organic ooze that devours anything that touches it, including people. Suddenly, shockingly, the Monolith beams a high-energy gamma stream directly at Earth, causing the planet to explode. Left on their own, remnants of humanity scattered on spacecraft and colonies throughout the solar system try to pull together to survive. Their one hope is the Agathon, a newly developed, experimental faster-than-light starship. The audacious, risky scheme involves taking the untested Agathon on a deep-space voyage to locate an Earth-like world on which to relocate survivors—and, if possible, solve the deadly riddle of the Monolith and the Black and what triggered the action against Earth. Chief among the ensemble of characters are Mars explorer/commander John Barrington, designated captain of the Agathon, and his daughter Carrie, both secretly products of accelerated evolution and sharing a telepathic link (they mourn Carrie’s mother, one of the Black’s first victims). While the naming of certain individuals after established sci-fi/fantasy characters suggests a pastiche, this volume offers nail-biting action and pacing that seldom flags. And the astronomical body count, which doesn’t spare key characters, adds a proper sense of jeopardy (as if the near-annihilation of Homo sapiens did not). The Irish author endows the alien component of the yarn with a genuine awe and mystery (at one point, a geologist says of the Black: “We don't know why the hell this ‘stuff’ has been sitting here for millions of years, when its purpose seems to be to absorb organic and inorganic substances on contact”). Weldon concludes the cosmic tale with a cliffhanger promising more revelations ahead. 

A compelling sci-fi series that starts with a big bang.

Pub Date: Dec. 11, 2015

ISBN: 978-1-5191-3968-9

Page Count: 344

Publisher: CreateSpace

Review Posted Online: Feb. 11, 2016

Kirkus Reviews Issue: March 15, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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