by Colin Woodard ‧ RELEASE DATE: June 16, 2020
Sturdy American history.
A veteran foreign correspondent highlights the essential regional makeup of the U.S. through several historical personages who used their sectional differences to attempt to weld a national character.
How did a sense of a shared nationhood coalesce through so many sectional differences? First, Woodard, a state and national affairs writer at the Portland Press Herald, delineates the mission of New England elite George Bancroft. Educated at Harvard and abroad in Germany, he was a failed teacher who supported himself in his wife’s family business before embarking on his great life’s scheme to write a history of the U.S. in terms of God’s plan for the unfolding of its triumphant mission of “popular sovereignty, equal justice, and a free economy.” While creating his decidedly blinkered American national myth—he utterly ignored Native and African Americans—his New England bias was criticized by Southerners. One of them was Charleston, South Carolina, native William Gilmore Simms, who serves as Woodard’s second model regional character. Simms was a wildly popular hack novelist of Southern fiction in which the masters were benevolent and the slaves so happy with their condition that they declined freedom. Dallying in politics, he went on to support some of the most die-hard secessionist and anti-Reconstructionist leaders. The third of the author’s primary characters is Frederick Douglass, who escaped slavery and joined the abolitionist movement of William Lloyd Garrison, then published his enormously popular autobiography, Narrative of the Life of Frederick Douglass, in 1845. Woodard manages to bring all of his disparate biographical threads together in a coherent narrative, using as his apotheosis the life of Woodrow Wilson, Southern-born writer of his own Anglo Saxon–centered History of the American People and proponent of D.W. Griffith’s white supremacist film Birth of a Nation (1915); Wilson became president despite his racism. One glaring omission is the lack of at least one strong female presence; otherwise, the scholarship is sound.
Sturdy American history.Pub Date: June 16, 2020
ISBN: 978-0-525-56015-9
Page Count: 432
Publisher: Viking
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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