by Colleen Nelson ‧ RELEASE DATE: June 6, 2023
Art versus mammon: An uplifting account of creative kids working to preserve a city landmark.
Seventh graders Roxy Markowski and Scout Chang-Poulin are longtime best friends.
They live in Umbrella House, a real co-op in New York City’s East Village. In 1988, the then-abandoned building was occupied by squatters who restored it, after which the city government legalized the situation. Several decades later, this realistic, contemporary novel, narrated by Roxy, tells another story. A developer is buying up properties and needs the city council’s permission to acquire the building. Long-term inhabitants of the East Village, which is known for its artists, musicians, and activists, see this as unwanted gentrification. Roxy lives with her paternal grandmother, a flea market dealer. Scout has two moms, a lawyer and an art gallery owner. The kids join with neighbors to save their building: bookstore owner Miguel, artist Ortiz, and musician Lenny. Roxy, with her research, writing, and acting skills, and Scout, with his photography, video, and editing abilities, have their own YouTube channel where they share stories about the East Village. Now they enter a contest—the prize is working with a professional reporter to produce a documentary—and their video entry focuses on the fight for their building. Blending fact, fiction, social issues, and friendship, this novel ably highlights young people’s strengths. Names are the only clues to ethnic diversity.
Art versus mammon: An uplifting account of creative kids working to preserve a city landmark. (map, photo, author’s note, sources) (Fiction. 9-13)Pub Date: June 6, 2023
ISBN: 9781772782790
Page Count: 224
Publisher: Pajama Press
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by Louis Sachar ‧ RELEASE DATE: Sept. 1, 1998
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...
Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).
Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)Pub Date: Sept. 1, 1998
ISBN: 978-0-374-33265-5
Page Count: 233
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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