A heartbreaking and thought-provoking exploration of fate, love, and choice sure to bring on a few tears.
A woman finally meets the man of her dreams, literally, then must decide what to do about it.
Mia and her doctor husband, Harrison, have recently moved from Philadelphia to a small Pennsylvania town. Mia spends most of her time trying to convince local art galleries to show her work and grieving the loss of three very wanted pregnancies. Although their marriage is largely happy, Mia is keeping a secret from her husband and everyone else—for years, she’s been having dreams about a man she’s never met. She assumes he’s just a figment of her imagination, but then she sees him at the grocery store—and runs into him again when Harrison treats his sister for appendicitis. His name is Oliver, and he’s been dreaming of her, too. Meanwhile, Mia and Harrison’s relationship hits a significant roadblock—he decides he doesn’t want to try again for a baby. As Mia reels from Harrison’s decision, she and Oliver begin to research their unlikely dream connection. They have so much in common, and being with him is easier than being around her withdrawn husband. It’s clear that the two of them are connected in some way—but what does that mean? Should Mia be with Oliver or Harrison? Oakley (Close Enough To Touch, 2017, etc.) skillfully navigates several twists and turns, never settling for a predictable plot. The tension ratchets up quickly in the last third of the book as the characters hurtle toward the somewhat shocking event that finally reveals why Mia and Oliver are meant to be in each other’s lives. Readers expecting a simple happily-ever-after should look elsewhere, but those looking for a Me Before You–style sobfest are in the right place.
A heartbreaking and thought-provoking exploration of fate, love, and choice sure to bring on a few tears.Pub Date: Jan. 7, 2020
ISBN: 978-1-9848-0646-8
Page Count: 352
Publisher: Berkley
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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