A HOME AGAIN

A house loses its inhabitants and longs to be loved again.

Bricks laid and timbers trembling, a newly built house eagerly awaits its first residents: a White family of four (soon to be five) with pets. From the “pitter-patter of a baby’s tiny feet” to the “sweet scent of bread baking,” the house delights in being used and loved year after year. The house revels in the “bustle of activity” as its residents grow up and age until, one day, the family moves away. Confused and hurt, the house keeps prospective buyers away by shaking its roof shingles and creaking its front steps. Finally realizing the family will never return, the house eventually opens its doors—and heart—to an interracial gay couple. The pair not only renovates the place, but starts their own family in its walls. Though comparisons to Virginia Lee Burton’s classic The Little House (1942) are inevitable, Kosinski’s text gives this house a chance to speak for itself. The contemplative narrative voice achieves the delicate balance of being sentimental without becoming maudlin. Docampo’s colorful double-page spreads delightfully extend the text with small details. Her stylized human figures, small against the grandeur of the house’s rooms and furniture, can be difficult to make out. Yet the expert use of light and dark creates beautiful, emotional contrasts of warmth and isolation—a wonderful match of both verbal and visual tone.

Heartfelt and filled with possible connections for families.