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NEW WAYS TO KILL YOUR MOTHER

WRITERS AND THEIR FAMILIES

Though there’s no truly coherent thesis here, it’s a pleasure to watch Tóibín rove through 19th- and 20th-century literary...

Irish novelist and essayist Tóibín (Brooklyn, 2009, etc.) investigates how writers’ classic works were inspired by their families—and sometimes in spite of them.

One line of critical thinking holds that a writer’s personal history is out of bounds when judging a poem, play or novel. Tóibín, who mined the life of Henry James for his 2004 novel, The Master, doesn’t adhere to that notion, and these essays are largely concerned with how writers’ personal lives influenced their work. In the opening essay, the author explores why James and Jane Austen tended to avoid writing about mothers, who “get in the way in fiction,” and how that instinct was partly a product of their occasionally tense family relationships. Half the pieces that follow focus on Irish writers, including William Butler Yeats, Samuel Beckett and Roddy Doyle; the other half consider the non-Irish likes of Thomas Mann, Tennessee Williams, James Baldwin and others. Most of these pieces, written for the London Review of Books or the New York Review of Books, are piecework prompted by a new biography or collection of letters, but common themes emerge. Dominating mothers provoked Irish playwright J.M. Synge and Beckett (who declared in a letter, “I am what her savage loving has made me”), and closeted homosexuality frustrated Williams and Cheever’s lives and writing alike. Tragedies abound: Yeats brutally dismissed his father’s literary ambitions, Thomas Mann’s children were a riot of addiction and dysfunction, and Hart Crane’s pioneering career as a poet ended in suicide. But like all fine critics, Tóibín inspires readers to go back to the work, and he brings a human aspect to the works of seemingly deracinated authors like Beckett and Jorge Luis Borges.

Though there’s no truly coherent thesis here, it’s a pleasure to watch Tóibín rove through 19th- and 20th-century literary history.

Pub Date: June 12, 2012

ISBN: 978-1-4516-6855-1

Page Count: 288

Publisher: Scribner

Review Posted Online: April 16, 2012

Kirkus Reviews Issue: May 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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