An Irish novelist (The Heather Blazing, 1993, etc.) and journalist reports on his visits to centers of Catholic devotion in Europe, as he attempts to make sense of his own conflicted relationship with the faith he has abandoned. Beginning with reminiscences of his Irish upbringing, Tóibín takes us to Poland, France, Italy, Spain, the post-communist worlds of the Balkans, Lithuania, and Estonia, and to Great Britain. Much of the material has been reworked from pieces written for the Irish press, and the result, though occasionally uneven, is a stimulating blend of vivid travelogue and passionate inner searching. We read of Holy Week processions, such as those of Seville, with their life-size statues of the crucified Christ and the sorrowful Virgin, accompanied by brass bands and hundreds of hooded penitents. We follow our author in the pilgrimages to Compostella and up the rugged heights of Croagh Patrick in Ireland. Midway through his narrative he tells of his searing experience in group therapy, when he first acknowledged his grief over his father's death and, in spite of himself, found the sign of the cross emerging from his psyche as a healing symbol. Throughout his travels, Tóibín has the keen eye of an intrigued skeptic: What does all this mean to these people? How can they believe in it? Only once, when he is blessed by Marija, one of the young visionaries of Medjugorje in Croatia, does he briefly move beyond his own experience of Catholicism as a form of social control. Always the outsider, he interviews many interesting people, such as Catholic Slovakian intellectuals and prominent English converts from Anglicanism, but he holds back from speaking to, rather than about, the very people whose devotion so disturbs and fascinates him. A very Irish view of Europe and Catholicism, likely to appeal to those whose inner search also takes them beyond themselves.
Pub Date: Sept. 20, 1995
ISBN: 0-679-44203-0
Page Count: 304
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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