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SONGDOGS

Dublin-born New Yorker McCann, already winner of several Irish literary prizes, weighs in with a moody, sharply imaged, but ultimately inconclusive debut about a young man coping with a long- absent mother and an ailing, crotchety father. Conor has come home to Ireland from his travels in North America, after years of fruitless searching there for his Mam, to find his father obsessively fly-fishing a polluted river near their house, unsteady on his feet and slovenly in his habits. The 23- year-old, though, checks his first impulse to flee unseen and tries to make the old man, racked by a smoker's cough but fiercely independent, a little more comfortable during his brief stay. As they spend time together, Conor mentally retraces his steps, patching together his experiences abroad with memories of his childhood and details of his parents' much-traveled lives before his birth. His Irish father, a photographer by inclination, fled to Mexico from the Spanish Civil War, where he met Juanita in a dusty northern town, married and photographed her while settling there and raising chickens until her mother died and the couple could hit the road. After stints in San Francisco and Wyoming, they came to New York, where the dream of work in photography was burned away like morning mist by the hot reality of roofing. Finally, Ireland beckoned as the only place left for a man to regain his self- respect. But when in Conor's childhood his father published a volume of the erotic photos he'd taken of his wife over the years, town tongue-wagging set them all, and Juanita especially, apart, until she set fire to his darkroom one night and disappeared. As Conor puts the pieces together, he's able to tell his father of his search and lay his long-smoldering resentment to rest. Ably written in its particulars yet loose-leafed in the assembly: a work of promise having parts far greater than the whole.

Pub Date: Oct. 16, 1995

ISBN: 0-8050-4104-4

Page Count: 224

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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