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SHORT STORIES

THE AUTOBIOGRAPHY OF COLUMBUS SHORT

An engaging account about the way unhealthy entanglements can affect an actor’s life.

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A debut memoir recounts a tumultuous rise from troubled child to working actor.

It’s bad enough to find out your wife is cheating on you with your best friend on the set of the television show where you work. It’s even worse when your boss, Shonda Rhimes, has to spell it out for you. That’s exactly what happened to Short on the set of the hit show Scandal, where he was a series regular. He was so devastated by the reveal that he tried to walk into traffic; it was only through the intervention of his co-stars that he was prevented from doing so. The event was the climax of a series of ups and downs that had plagued the author throughout his life. He was born while his mother was awaiting trial for shooting and killing his father, a Kansas City police officer. “That might sound wild,” Short explains, “but you’d also have to know that my father was an extremely crooked cop. He ran in the streets, he had a drug ring, a prostitution ring….My mother was the good girl dating the bad guy, and eventually it caught up to her.” From his mother’s serial relationships to his own fraught romantic entanglements—exacerbated by substance abuse—the author’s troubled life didn’t keep him from achieving success. But it did threaten to destroy that success once he found it. Short’s prose is conversational and fluid, and he employs it in spinning just the sort of celebrity stories that readers expect. Here, he describes his advisory role in the career of Britney Spears: “ ‘Larry, hear me out,’ I told him. ‘Didn’t Britney just kiss Madonna at the MTV Awards?’ Obviously, the answer was yes. ‘Put Madonna on the record, and it’s gone. It’s out of here!’ ” The book moves quickly and demands little of readers. While hardly a life-altering read, Short’s work—written with Mendez—offers a good mix of show-business memoir, recovery narrative, and barroom-style yarns. By the end of it, it’s clear that he is grateful for the lessons learned, and readers will have at the very least been entertained.

An engaging account about the way unhealthy entanglements can affect an actor’s life.

Pub Date: Sept. 29, 2020

ISBN: 978-1-73330-410-8

Page Count: 243

Publisher: Kingston Imperial

Review Posted Online: Sept. 21, 2020

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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