An irreverent, inspiring chronicle of a great life.
The dizzying highs and nauseating lows of a landmark broadcasting career.
She was the only one of her siblings to be born in the U.S. after her parents arrived from China in 1945. By her twenties, Chung tells us, she had morphed from a meek youngest who “never uttered a peep” into “someone who was fearless, ambitious, driven, full of chutzpah and moxie, who spoke up to get what she wanted.” Convinced that she was the equal of her white male colleagues in journalism, she would need every bit of that gumption in the decades that followed, as she smashed through barriers of sexism and racism with stints at each of the three networks. Sentences like this one—“I thought the Gingrich controversy was the worst incident I would face while coanchoring the CBS Evening News, but what was to come made Bitchgate pale in comparison”—lead us from one crisis to the next. The most humiliating occurs in the wake of the Oklahoma City bombing, when Dan Rather (of the many people who come off badly in this book, he is the worst) sabotaged her career in a way she could never fully recover from. As for narcissistic divas Barbara Walters and Diane Sawyer: “Each time I’d pop my head up, Barbara or Diane would whack me with a spongy hammer.” Her personal life is full of juice; she and husband Maury Povich had a long-distance open relationship for many years before they married, allowing her exciting interludes with characters like Ryan O’Neal. (She jumps in her sports car, tells him to follow her, and... “Feel free to use your imagination.”) At the end of this long road come sweet signs of her impact on the culture: a Connie Chung rest stop on the Garden State Parkway, a strain of marijuana that bears her name, and, most movingly, a whole generation of Chinese American girls named Connie.
An irreverent, inspiring chronicle of a great life.Pub Date: Sept. 17, 2024
ISBN: 9781538766989
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
PERSPECTIVES
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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