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JUST FINE THE WAY THEY ARE

Wooldridge’s story of America’s land-transportation networks—its roadways and railways—is folksy but panoramic. The informal, affable tone, something like a movie voice-over, works well here, conveying a sweeping amount of material—over a lot of ground and 200 years—as it chugs merrily along, hitting the high points, while Walz provides heroic imagery with a Thomas Hart Benton tang. The narrative proceeds chronologically, with paths and post roads being replaced by the National Road, which is trumped by the railroads, which in turn is transcended by “wheelmen” (bicyclists) and, more importantly, by the automobile. Intriguing players and institutions are introduced—Peter Cooper, Lucius Stockton, Henry Ford, Tom Thumb, the B&O Railroad and the Good Intent Stagecoach line—though because of the survey nature of the book, they are more food for thought than fleshed out (a good timeline and bibliography at the end of the book helps point readers toward further information). Fittingly, the story has got real rhythm to it, helped along by the refrain—“Things were just fine the way they were,” thought those who benefited from a soon-to-be-diminished carrier—but most of all by capturing the surging, ever-evolving nature of the country’s transportation network. As the book closes, it is clear that the system continues to evolve—unpredictably, perhaps, but inexorably. (Informational picture book. 8-12)

Pub Date: March 1, 2011

ISBN: 978-1-59078-710-6

Page Count: 32

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: Feb. 27, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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THE MOUSE AND THE MOTORCYCLE

The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age...

Beverly Cleary has written all kinds of books (the most successful ones about the irrepressible Henry Huggins) but this is her first fantasy.

Actually it's plain clothes fantasy grounded in the everyday—except for the original conceit of a mouse who can talk and ride a motorcycle. A toy motorcycle, which belongs to Keith, a youngster, who comes to the hotel where Ralph lives with his family; Ralph and Keith become friends, Keith gives him a peanut butter sandwich, but finally Ralph loses the motorcycle—it goes out with the dirty linen. Both feel dreadfully; it was their favorite toy; but after Keith gets sick, and Ralph manages to find an aspirin for him in a nearby room, and the motorcycle is returned, it is left with Ralph....

The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age group. (Fantasy. 8-12)

Pub Date: Sept. 22, 1965

ISBN: 0380709244

Page Count: 180

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Sept. 1, 1965

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JAX FREEMAN AND THE PHANTOM SHRIEK

All aboooooard!

Mbalia takes the legacy of Pullman porters as inspiration for his latest fantasy world rooted in Black lore and traditions in this series opener.

Twelve-year-old Jax Freeman is an unwilling transplant to Chicago, sent away from his Raleigh, North Carolina, home by his parents after an incident lands him in the juvenile justice system. Just about as soon as he descends from the train, the weirdness starts: Inanimate objects speak to him, a strange old woman tells him his ancestors need him, and a terrifying creature tries to steal his skin. The strangeness keeps building, from the inspirational signs at his grandmother’s house that keep changing their messages to the class in…magic?…at DuSable Middle School. And what’s with the peculiar reactions he gets whenever people learn his surname? Pretty soon Jax is riding a magic train called the Shriek, charged with a mission to heal a feud among the five magical summoning families of Chicago—a mission that killed his great-great-grandfather. Jax spends most of the novel in a state of frustration as he tries to understand this new world, and readers may sympathize as they wait with him for other characters to dole out information. Mbalia has so much fun developing the world’s rules and inhabitants, though, that readers will probably not mind the adventure’s bagginess. Jax has a digressive narrative style that runs to broad comedy, but it’s his fundamental decency that really shines.

All aboooooard! (Fantasy. 8-12)

Pub Date: Oct. 1, 2024

ISBN: 9781368064736

Page Count: 480

Publisher: Freedom Fire/Disney

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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