A debut novel that progresses like crisscross dreams in a damaged head, by a young Englishman whose work has appeared largely in horror and fantasy anthologies. Narrator David Munro, a second-rate painter, has not seen his college roomie Seamus “Shay” Cope since he threw a teacup at him three years ago. But now their shared companion, Helen Soper, has called David to the English seaside town of Morecambe to help revive the unlovable Seamus, who’s now suffering some mystery malaise that affects Helen as well’something shapeless and ugly that is unfolding and that David has begun to feel as well. It’s winter and something cryptic is exploding within them. Odd figures spur childhood memories; as in a dream, a strange woman in a car slowly parts the skin of David’s cheek with her fingernail. Memories filter back: Had Seamus and their schoolmate Dando tried to drown a dog, then tie up David, nearly drown him in mud, and start to bugger him? Seamus tells David about a caving tragedy in New Mexico when his fellow caver got stuck and died of cold—which reminds David of Seamus nearly drowning him in mud. Bad karma comes twisting around David in the form of a murdered girl. Did MacCreadle, a horrible figure from their childhood, do it? Helen explains to David that they—re being stalked. But by whom? The three friends slowly form their own vocabulary to describe the events befalling them. And so they stumble vaguely on, David and Seamus with dreams of suffocation. It’s as if, Seamus says, —we’ve opened up our heads and nailed them together so that we’re all sharing the same Widescreen movie.— By novel’s end, their worst secrets have fountained upward in a collective dawning and bloodletting. The spine of this waking nightmare is a sad, gasping loneliness, into which any bad thought can fall and spear you. The family love that at last fills this vacancy is quite moving.
Pub Date: Oct. 12, 1998
ISBN: 1-899344-36-5
Page Count: 206
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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