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THEY BELIEVED THEY WERE SAFE

A short, captivating tale of unwanted attention.

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In this novel, a female graduate student becomes an object of desire.

The year is 1962. The young women who flock to the small New England town of North Chesterfield to attend Mt. Simmons College come mostly from well-to-do families—they live on monthly allowances, vacation in Europe, and date boys who go to Harvard and Yale. Mabel Gorne is everything they are not: Midwestern, mysterious, and shabby in a way that suggests disinterested old money. She’s come to Mt. Simmons to pursue graduate studies in anthropology, but she quickly acquires a collection of younger acolytes: “Mabel was ‘unique…special… singular,’ or ‘un symbole du raffinement’ to the Francophiles….Whether she understood the spell she cast or not, the fact remains that the spell was very real.” She boards in the grand Victorian home of respectable local couple Ruth and Henry Alston, who also swiftly grow enamored of her—particularly Henry, who spies on Mabel through a peephole in her bedroom wall. Mabel does have a few secrets, including those involving her nighttime trysts with local assistant constable Jim Flaherty. But it turns out that the unspoken desires of those around her may prove to have just as strong a pull on her destiny as anything in her past. Biddle’s stylish prose perfectly captures the mid-20th-century setting in all its repressed isolation: “Dressed in a nylon slip and nothing more, Mabel sat beside an open bedroom window in the Windsor Haven Hotel. A pair of sepia-patterned curtains shielded her from the road below and the passersby strolling Main Street….She experienced a sense of peril as compelling as any she’d known. It was like climbing the catwalk on a railroad bridge.” The sentences sing, and every creaky room of the Alston house becomes a stage for suspenseful encounters. It’s a compact story, leaping back and forth between a handful of rich interiorities, and readers will be delighted to journey with the characters into the darkness of their hidden lives.

A short, captivating tale of unwanted attention.

Pub Date: Nov. 1, 2022

ISBN: 978-6188607705

Page Count: 208

Publisher: Vine Leaves Press

Review Posted Online: Oct. 21, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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