Page-turning, illuminating reading.
An English professor tells stories about the people and events that shaped the White House as a home, symbol, and setting for significant historical events.
For Mead, author of Angelic Music and The Lost Pilots, the White House is not just a national treasure but also a structure that has served as “the stage for some of the most dramatic scenes in American history.” Inspired by the long-running podcast American History Tellers, the author examines this iconic dwelling from three different perspectives, each of which constitutes its own section. In the first, Mead focuses on the actual building, which was completed in 1800. First called the President’s House and built largely by enslaved people, the White House was almost completely destroyed during the 1814 British siege of Washington. It was rebuilt during the remaining years of then-President James Madison’s term by the original Irish-born architect, James Hoban, and it was renovated and expanded during the Truman administration. In the second section, Mead delves into the race-based struggles surrounding who could visit the White House. Among the author’s many tales are those about Ulysses S. Grant’s controversial appointment of Seneca Nation member Ely Parker to head the all-white Board of Indian Commissioners and Theodore Roosevelt’s infamous dinner invitation to Black educator Booker T. Washington. The third section is an exploration of how the White House became emblematic of American superpower status and a setting for such historical turning points as Winston Churchill’s post–Pearl Harbor visit to Franklin Roosevelt in 1941. This accessible, well-researched, and generously illustrated book will appeal not only to history buffs, but to anyone interested in the colorful stories—and characters—associated with America’s most storied structure, which “stands as a living monument to the towering figures, hairbreadth moments of crisis, and euphoric triumphs that have defined our country.”
Page-turning, illuminating reading.Pub Date: June 4, 2024
ISBN: 9780063343382
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.
A memorable, masterful history of the first 50 years of an indelible American art form.
While historians often cast themselves as omniscient in their works, delivering facts and stories as important without acknowledging the impact of their own experiences on the narrative process, Questlove—drummer, DJ, music historian, and author of Mo’ Meta Blues, Creative Quest, and Music Is History—is forthcoming about the fact that he experienced music differently as he grew older. “I wasn’t sitting down for five hours listening to them over and over and over again, trying to unpack every nuance from every corner,” he writes, recalling his feelings decades into his relationship with the genre. “But I was—I am—a DJ, which meant that I had a professional interest in excavating the songs that worked.” The author’s observations spanning the entirety of hip-hop’s history are consistently illuminating—e.g., connecting its shift in five-year increments to the dominant drug of the period, from crack to sizzurp to opioids. However, it’s his personal connection to certain eras that make his latest book stand out. Questlove considers the late 1980s and early ’90s as the “golden age of hip-hop, when innovative MCs and innovative DJs seemed to spring up every few months, and classic albums regularly sprouted on the vine.” That era—filled with masterpieces from Public Enemy, De La Soul, and N.W.A.—is universally revered, but Questlove also recognizes that it coincides with the years between high school and when he officially became an artist—a time when he was immersed in finding inspiration and understanding the construction of hip-hop. While the author’s knowledge of hip-hop is as deep as any musicologist, it’s his passion for certain artists and songs that sets him apart.
Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.Pub Date: June 11, 2024
ISBN: 9780374614072
Page Count: 352
Publisher: AUWA/MCD
Review Posted Online: March 25, 2024
Kirkus Reviews Issue: May 1, 2024
PERSPECTIVES
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