Russian immigrants in America ponder the meaning of life, navigate supernatural experiences, and search for lost treasure in Budman’s story cycle.
This collection centers on a man known only as “the interpreter of dreams and afflictions”—a semiretired, Russian-born Jewish engineer now living in Boston, where he works as an online medical interpreter for Russian-speaking patients. He and his unnamed wife, in their spare time, help care for their two young granddaughters. In these meandering stories, the interpreter recalls his family’s history in the Soviet Union, where they weathered persecution and exile; conveys gentle life lessons to his grandchildren; observes the medical melodramas of the patients; stages whimsical funerals for a goldfish and a tick; and, in the fraught title story, confronts a mass shooter at an immigrant community center. Some of his adventures are wondrous: He tries out a variety of eternal-youth potions but gets cold feet when he recalls how callow and selfish young people are; receives dream visitations from biblical patriarch Joseph, who dispenses terse advice; and hones his talent for floating up to the ceiling. Intertwined with his narrative is a subplot about Piotr Osipovich Voronin, a penniless Russian immigrant in Brighton Beach, Brooklyn, who hopes to recover priceless pearls hidden in ornate pillows that his aunt mailed to America, and Penelopa Belkina, a strapping young woman from Odessa, Ukraine, who uses her computer- hacking skills to help Piotr locate the pillows—in return for a hefty cut of the loot. Their quests introduce them to oddball Americans, including someone with a fair-sized arsenal who also collects teddy-bear figurines and an unemployed woman enduring the purgatory of job-search seminars. Eventually, the quest leads to the interpreter’s doorstep—after he buys one of the fateful pillows.
Budman crafts a story collection that reads more like a novella, exploring coherent, resonant themes, such as the exhilaration that immigrants feel regarding America’s opportunities and their bafflement at its alienating culture; the deep changes in perspective wrought by aging; and the uncertainties of attempting to communicate with and understand other people. His fictional world has a Dostoevskian feel to it; its characters are steeped in metaphysical rumination and spiritual yearnings, which lead to material calculations and occasional eruptions of shocking violence. Full of mordant wit, colorful characters, and disorienting swerves, Budman’s text brims with evocative detail when relating squalid realism—“He spent his fiftieth birthday the night before cursing his fate in heavily accented English, drinking stale Diet Coke mixed with a few drops of leftover vodka, munching on his last Triscuit,”—and bizarrely matter-of-fact magical realism: “The Green Man stands alone on the sidewalk of a new housing development where every house is at least half a million in Earth money….His eyes are undiluted anthracite with speckles of white. His skin is poison-green, the color that makes you think of an industrial spill.” The result is a dazzling read with true philosophical depth amid wild flights of fancy.
A set of captivating tales of strangers in a very strange land.