by Corie Adjmi ‧ RELEASE DATE: Aug. 4, 2020
A compelling collection that captures the mystery and menace beneath love and family life.
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Adjmi’s debut collection of 12 linked short stories explores women’s lives from varying perspectives.
Characters recur in these tales, but each stands on its own. They take place in a range of eras from the 1970s to the present and take readers to various cities in the United States and Spain. All are succinct, slice-of-life stories, and at least half feature characters from the three couples introduced in the opening story, “Dinner Conversation,” which is set in New York City in 1998. The six diners are close friends who call themselves “The Sixers,” but despite their long history, they each have insecurities that will ultimately destroy their relationships. All the women in these stories navigate treacherous journeys through landscapes rife with misogyny and physical and psychological abuse. Many of the women have internalized their fears of growing older, as expressed by Kelly, the narrator of “The Drowning Girl”: “I WAS ONCE YOUNG AND PRETTY. THIS, WHO YOU SEE NOW, IS NOT ME.” Adjmi conjures convincing portraits of a variety of female characters with economical language and biting dialogue. Their relationships with men are not enviable, as most of the male characters are angry, belittling, and erratic. With piercing clarity, the author often offers an unexpected payoff in the final sentence. In “The Devil Makes Three,” for instance, Iris, an Orthodox Jew, prepares for a mikvah, a monthly ritual bath for women, before resuming marital relations. The engaging description of this arcane process is coupled with an account of Iris’ chaste online dalliance with a non-Jewish man. Readers can admire her adherence to the faith, see how restricted her life is, and end up with a sense of the sensual joy that she shares with her husband. However, not every story lands as well; some are a tad too cryptic. In the fablelike “Happily Ever After,” man loves car, woman loves man, woman destroys car, and man’s personality disintegrates. Adjmi’s take on reality is more satisfying.
A compelling collection that captures the mystery and menace beneath love and family life.Pub Date: Aug. 4, 2020
ISBN: 978-1-63152-713-5
Page Count: 170
Publisher: She Writes Press
Review Posted Online: May 15, 2020
Kirkus Reviews Issue: July 15, 2020
Review Program: Kirkus Indie
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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by Sally Rooney ‧ RELEASE DATE: Sept. 24, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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