This poignant and entertaining tale about a playful toddler aimed at young lap readers works on a much deeper level for...
In her latest picture book, Dehghanpisheh (#BabyLove: My Social Life, 2016, etc.) shows the life of a curious child through the frame of the cellphone used to take his photo—until he gets his hands on the device.
The hero of the #BabyLove tales, now a tanned toddler, obviously has a mother who loves him. While he’s creating his art, she’s taking a photo of his paint-splattered smock. (The dog, with paint-dripped ears, looks less impressed.) After the art lesson, there’s reading and toy time, followed by a drumming session. Each shot features a view of the boy framed by his mother’s phone. Mother and son take a smiling selfie together, posting it to friends with the hashtag #mommyandme. With so much activity around the phone, it’s no surprise that the boy wants to experiment with it himself, so when Mommy leaves it on the counter, even though he knows better, he picks it up. First, he pretends he’s making a real phone call; then, he starts taking selfies. His huge smile shows how much fun he’s having: “I hold a button, and then say ‘Cheese.’ / I click, click, click, click with such ease.” When he hears Mommy coming, though, he drops the phone and makes a run for it. But rather than becoming angry, Mommy takes time to look at the photos with him, showing him the parts of his face in each shot as well as family pictures. And as Mommy looks at these photos, she realizes just how precious time with her wee one is. When they return to playing together, Mommy puts the phone down so she can fully engage with her son. With simple rhyming phrases that scan well and the author’s enticing illustrations, the volume should surely appeal to young readers, who have almost certainly been told not to play with a parent’s phone. But the book works on another level as well: the boy teaches his mother a valuable lesson about mindfulness. After perusing the old photos, she tells her son: “These moments with you, / I love and treasure.” This stirring story reminds busy parents that even though those photos they take show how much they love their children, there’s joy and wonder in leaving the technology behind.
This poignant and entertaining tale about a playful toddler aimed at young lap readers works on a much deeper level for parents.Pub Date: Sept. 20, 2016
ISBN: 978-0-9978985-1-4
Page Count: 40
Publisher: CreateSpace
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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